In this exclusive interview, Ollie sits down with internationally renowned drummer Glen Sobel, whose career includes performances and recording work with Alice Cooper, Mötley Crüe, and Hollywood Vampires.
From the outset, Glen reflects on what it means to perform at The UK Drum Show 2026. Unlike traditional arena shows, where the drummer’s role is primarily supportive, drum festivals offer a unique opportunity for experimentation. As Glen explains, clinics and solos are a space where drummers can explore new concepts, push boundaries, and share ideas that might otherwise never reach a live audience.
However, the conversation quickly expands beyond performance technique. Glen emphasises the importance of understanding the modern music industry, particularly the role of social media. In his view, a musician’s online presence has become their “business card” and often the first thing industry professionals check when considering someone for a gig. What once relied on word-of-mouth and reputation now lives online, making visibility and presentation more important than ever.
One of the most striking moments in the interview is Glen’s account of how he joined Alice Cooper. What unfolds is a surreal sequence involving a recording session, industry connections, YouTube footage and a spontaneous late-night phone call that effectively served as his audition. The story captures the unpredictable, almost “Spinal Tap-like” nature of life in professional rock music.
Glen also shares insight into his time subbing for Tommy Lee during a run with Mötley Crüe. This included performing opening sets while touring alongside one of his childhood inspirations, as well as experiencing the band’s famously theatrical drum rollercoaster from a rider’s perspective. These moments highlight the surreal full circle experiences that often come with a long touring career.
Beyond the stories and spectacle, Glen offers grounded and practical advice for aspiring musicians. He stresses that success is not only about technical ability, but also consistency and attitude. Being easy to work with and adaptable can be just as important as being a great player.
He also introduces a simple but effective framework for evaluating gigs: does it pay well, is it a good hang and is it good for your musical development? If two out of three boxes are ticked, the gig is worth taking.
Ultimately, this conversation offers a rare glimpse into both the reality and philosophy of a working world-class drummer—balancing artistry, personality, and professionalism in a constantly evolving industry.
Glen will be playing the main stage of The UK Drum Show 2026 on Saturday 24th October at 11:15am. Tickets are available HERE.
