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Flint Percussion 20th Anniversary Piccolo Snare – Reviewed

Here’s the latest video from the Drummer’s Review Live Room featuring a limited edition 20th Anniversary Piccolo snare drum from Flint Percussion

Featuring…

  • 14 x 3” one-piece Titanium suspended shell,
  • 12 tuning bolts,
  • Flint’s Rotary snare wires,
  • Remo Black Suede Ambassador batter head,
  • Evans Snare Side 500,
  • Black Twinkle Powder Coating finish.

Filmed February 2025 at Paul Caboche Studios, Cornwall, UK. (scroll down for recording & equipment details).

Flint Percussion Says…“Flint® Percussion is an eco-friendly family business based in the North-West of England, established in 2005. Our company began as a result of our young daughter wishing to play the marching drum in a local pipe band, but at only 10 years of age it was immediately apparent that the standard marching drum would be too heavy for her to carry and play. Coming from an engineering background, we began to look for ways to redesign these drums to reduce weight without impacting sound and material quality.

After several years of research and development, we invented the Suspended ShellTM system, where only the drum skins are in contact with the shell and tension is achieved on both skins through the shell itself via a surrounding cage. This resulted in the lightest high-tension marching snare drum ever made. We then went on to produce other drums using the same Suspended ShellTM system, offering a full range of ultra-lightweight marching drums.

Today, we supply these lightweight drums to clients around the world, including countries in North America, Oceania, Europe and the Middle East. We are experts in instrument manufacture and delivery, and apply this experience to ensure all musical instruments we produce are of the highest quality upon arrival with our clients.

Flint Percussion 20th Anniversary Piccolo Snare: UK RRP: £500 (approx.)

Pro’s:

  • Excellent looks
  • Great build quality
  • Much fuller sound than we were expecting from a piccolo snare

Con’s:

  • Only six drums planned to be produced (at time of filming)

For more details on the Flint Percussion 20th Anniversary Piccolo Snare, head to: https://www.flintpercussion.co.uk/


Drummer’s Review, based in North Devon, England would like to thank the www.theseagate.co.uk for the use of their hotel for this photo shoot in their stunning bar & garden. Photography by Guy Harrop on location at The Seagate Hotel, Appledore, Devon.


Recording Details:

Filmed at Paul Caboche Studios (Cornwall UK). 

Microphone List:

Kick Rear: Audix D6
Kick Front: Electrovoice RE27ND
Snare Top: Electrovoice PL80
Snare Bottom: Electrovoice PL80
Hi Hat: Oktava MK-012-01 Cardio
Over Head wide: AKG C414B (pair)
Centre Over Heads: AEA R88 MK2 Stereo Ribbon Mic
Front Centre Room : AEA R88 MK2 Stereo Ribbon Mic
Wide Room Mic’s: sE2200T Tube Mic’s (pair)

Recording Process:

Microphone Pre amps: 16x Rupert Neve Designs 5052

Pre amp outs to Avid HD analog to digital converters connected to Avid HDX card

Recorded into Pro Tools Ultimate latest version running HDX cards mounted in an Apple Mac Pro 2019 16core.

Audio Template Details: 

Basic EQ:

Basic EQ setting using the EQ section of the Neve 5052 mic Pre-Amps. No post recoded EQ or processing applied.

A Note From Paul…

“The microphones were set up with the overheads and room mic’s measured to the centre of the snare drum to keep the phase of any stereo pair in phase. The AEA R88 MK2 mic’s being stereo mic’s had no issue with phase but the front centre room mic and centre overhead where aligned with each other to keep the same stereo image. The phase reverse switch on the front kick mic was used to correct the phase between the two bass drum mic’s. The phase reverse switch was engaged on the bottom snare mic to correct the phase between the two snare mic’s. Hi pass filters only used on the hi hat mic, Ride mic and overheads. The live room of the studio has been treated to provide a neutral sound close to the drums & cymbals with the room mic’s then giving a true representation of what the instruments sound like in the room. Using 16 identical Mic Pre amps also helps with electrical phase so there is no difference between tone and phase of the Mic Pre amps. The brief for the recoding was to give as true a representation as possible of what the instruments actually sound like.”


For more completely impartial, HD video reviews, please subscribe to Drummer’s Review on YouTube: www.youtube.com/drummersreview and click on the bell icon to be notified as soon as each new video is released. You can also follow Drummer’s Review on social media:

Facebook: @DrummersReviewUK

Instagram: @drummersreview

Twitter: @drummersreview

All of Drummer’s Review videos are recorded in a top quality studio with the finest equipment. To get the best from our reviews and really hear the instruments perform be sure to listen on good quality speakers or headphones!

GREGG BISSONETTE: Interview With The Always Energetic Drumming Icon

High energy, big laughs and serious groove talk as Drummer’s Review interviewer Ollie Winiberg chats with the one and only Gregg Bissonette ahead of his appearance at The UK Drum Show 2025! From Ringo Starr, David Lee Roth, ELO, Spinal Tap… need we go on?

Gregg brings the stories, the wisdom and a whole lot of charisma. One of the most versatile drummers on the planet and an absolute joy to talk to.

Be sure to catch Gregg live this October…Grab your tickets for the UK’s hottest drum weekend now: www.theukdrumshow.com

03:00 – Playing for the song

04:30 – How did we get here?

06:28 – The pie

10:47 – Drumming on Friends!

17:10 – Recording sessions

19:43 – The UK Drum Show

23:20 – Advice for drummers

26:45 – Greggs legacy


Gregg Proudly Plays…

Dixon Drums

Sabian Cymbals

DW Drums

Remo 

Vic Firth

Audix

LP

Kaces

Sensaphonics


For more interviews with some of the biggest names in drumming along with completely impartial, HD video reviews, please subscribe to Drummer’s Review on YouTube: www.youtube.com/drummersreview and click on the bell icon to be notified as soon as each new video is released.

You can also follow Drummer’s Review on social media:

Facebook: @DrummersReviewUK

Instagram: @drummersreview

Twitter: @drummersreview


Biography

Gregg Bissonette has become known as one of the most versatile drummers in the business, his broad experience ranging from big band, blues, and rock, to Latin, fusion, and much more.

The Detroit native comes from a family of talented musicians. Gregg started playing on his dad’s drum kit from about the age of 5! After high school, Gregg became the drummer for the famed NTSU One O’Clock Big Band. In 1982, Gregg made the move to Los Angeles. Gregg’s big break came in the summer of 1985, when David Lee Roth left Van Halen and started his own band. Gregg landed the gig playing drums, with Steve Vai on guitar, Billy Sheehan on bass, and Brett Tuggle on keys.

Today, Gregg continues to record with and for many other artists including Ringo, films, and TV shows. Gregg’s incredible sense of humor comes across clearly whether he’s recording or teaching at a drum clinic. His perfect balance between professionalism, strong work ethic, and congeniality make him a wonderful colleague and session artist, and a much-respected name in the music industry.

VICKY O’NEON: Interview, Kit Tour and More…

Backstage at the iconic London Palladium, just hours before her penultimate show with Anastacia, Vicky O’Neon sat down with Ollie Winiberg to talk all things drums, tours and neon energy! From being an educator to lighting up global stages – Vicky is one of the most vibrant voices in modern drumming!

There’s a certain buzz you get the moment you walk into a venue like the Palladium on a show day. You feel the history, the weight of the performances that have come before, and the hum of something big about to happen. And despite the pressure of being just hours away from stage time, Vicky was calm, focused, and completely in control — but still full of warmth and happy to give me a proper behind-the-scenes look at life on the road.

02:10 – Keeping the energy

03:40 – Approaching Anastacia’s music

06:10 – 1000 songs per season!

10:20 – Is image important?

16:40 – Backing tracks: yay or nay?

19:15 – The drumming community

20:50 – Where to go!

23:15 – Kit tour

We spoke about what goes into preparing for a tour like this. It’s not just about turning up and playing parts — it’s about completely immersing yourself in the music. Vicky’s approach is all about serving the songs — learning them in a way that goes beyond memory, understanding the intention behind the arrangements, the dynamics of the set, and how to lock in with a live band to enhance the performance without ever stealing the spotlight. Her level of respect for the gig, and for Anastacia’s legacy, really stood out.

As if that wasn’t enough, she also works on the US television show Name That Tune, where she’s expected to learn — wait for it — up to 1,000 songs per season. That’s not a typo. A thousand. It’s a pace and level of adaptability that most musicians can barely wrap their heads around, but Vicky takes it in her stride with grace and professionalism. You get the sense she genuinely thrives on challenge.

Before the Palladium audience took their seats, Vicky took me on an exclusive tour of her live rig — right there on stage under the lights. From congas and cymbals to pads, triggers and various percussive toys, the setup is as versatile as she is. It’s not just there to look impressive (though it does); it’s there to give her the freedom to respond to the music in real time, to switch between acoustic and electronic textures seamlessly, and to deliver a performance that’s both powerful and musical.

Being invited into that space — just before such a high-stakes show — was a genuine honour. Vicky’s the real deal. Passionate, dedicated, and incredibly down to earth. She’s one of those rare musicians who brings both technical mastery and complete musicality to the stage.

If you ever get the chance to see her live, do it. Whether she’s performing with Anastacia or tearing it up in her own projects, Vicky O’Neon is an absolute force — and I couldn’t be more grateful for the time she gave me on such an important night.

Vicky will be appearing in the Mike Dolbear Masterclass room at The UK Drum Show on Saturday 18 October 2025…don’t miss your chance to witness Vicky’s incredible neon energy in-person…grab your tickets now: www.theukdrumshow.com


Vicky Proudly Uses…

Dixon Drums

Remo Drumheads

Zildjian Cymbals

Vic Firth Drumsticks

LP Percussion

Roland Electronics

Ultimate Ears

Hardcase

Protection Racket

Abelton

XLN Audio

Porter & Davies


For more interviews with some of the biggest names in drumming along with completely impartial, HD video reviews, please subscribe to Drummer’s Review on YouTube: www.youtube.com/drummersreview and click on the bell icon to be notified as soon as each new video is released.

You can also follow Drummer’s Review on social media:

Facebook: @DrummersReviewUK

Instagram: @drummersreview

Twitter: @drummersreview

Roland Announces DrumLink Wireless System

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Roland announces the official release of the DrumLink wireless system and related products. Developed in partnership between Roland and Drum Workshop (DW), DrumLink is a new wireless triggering technology for electronic pads, cymbals, and drum triggers. From Roland V-Drums kits to hybrid acoustic-electronic configurations, the modular DrumLink system streamlines connectivity for faster setup and a cleaner look.

Designed specifically for drumming applications, the proprietary DrumLink system delivers lightning-fast response and rock-solid performance that feels identical to analog triggering. Up to 30 active instruments are supported simultaneously (depending on the sound source), unlocking a growing range of hybrid, electronic, and software-based drumming setups.

The DrumLink system features two core components: the WT-10 Wireless Trigger Adapter and DH-10 DrumLink Hub. Supported sound sources include the Roland V71, TD-50X, and TD-27 sound modules, SPD-SX PRO Sampling Pad, and the DW Soundworks software instrument. The WT-10 also makes it easy for owners of Drum Workshop’s DWe acoustic-electronic wireless convertible drums to integrate Roland pads within their sets.

WT-10 Wireless Trigger Adapter

The WT-10 converts the analog trigger outputs on compatible Roland drum/cymbal pads and acoustic drum triggers to wireless signals. Two inputs support single- and dual-trigger pads, allowing users to connect two pads to one unit. A single cymbal with two outputs can be connected for bow/bell/edge triggering, and hi-hat pads with two trigger/control outputs are also supported. The integrated mount is highly adjustable, enabling secure and flexible attachment to drum/pad rims, bass drum hoops, and cymbal/hi-hat stands.

DH-10 DrumLink Hub

The compact DH-10 DrumLink Hub captures trigger signals from up to 15 WT-10 units, which are sent to the sound module or a computer via a simple USB-C connection. The DH-10 also has a TRS MIDI output for sending trigger signals to any sound source that receives MIDI note messages and CC data.

Roland V-Cymbals for DWe Convertible Drum Sets

The Roland 4CY-4WT-01 DrumLink Cymbal Pack provides a ready-made solution for outfitting a DWe acoustic-electronic wireless convertible drum set with Roland’s leading electronic cymbals. These expressive pads deliver authentic feel, response, and movement, and have very low in-room noise levels when played. This bundle includes three CY-16R-T crash/ride pads, one VH-10 V-Hi-Hat pad, and four WT-10 Wireless Trigger Adapters that communicate with the kit’s DWe DrumLink Wireless Hub. Drum Workshop also offers complete four- and five-piece DWe kit bundles with Roland V-Cymbals and WT-10 units included.

To learn more about the DrumLink system, visit Roland.com.

To learn more about DWe acoustic-electronic wireless convertible drum sets, visit DWdrums.com.

About Roland Corporation

For more than 50 years, Roland’s innovative electronic musical instruments and multimedia products have fueled inspiration in artists and creators around the world. Embraced by hobbyists and professionals alike, the company’s trendsetting gear spans multiple categories, from pianos, synthesizers, guitar products, drum and percussion products, DJ controllers, audio/video solutions, gaming mixers, livestreaming products, and more. As technology evolves, Roland and its expanding family of brands, including Roland Cloud, BOSS, V-MODA, Drum Workshop (DW), PDP, Latin Percussion (LP), and Slingerland, continue to lead the way for music makers and creators, providing modern solutions and seamless creative workflows between hardware products, computers, and mobile devices. For more information, visit Roland.com or see your local Roland dealer. Follow Roland on Facebook, Twitter (@RolandGlobal), and Instagram (@RolandGlobal).

About Drum Workshop

Founded in 1972, Drum Workshop, Inc. is widely recognized as the global leader in designing and manufacturing award-winning musical instruments including drums, pedals, hardware, and accessories. Drum Workshop manufactures, markets and distributes an iconic portfolio of brands including DW® Drums and Hardware, PDP®, Latin Percussion®, and Slingerland. Drum Workshop’s wide range of products have earned their reputation as The Drummer’s Choice and are endorsed by many of the world’s top artists including Dave Grohl, Matt Gartska, Chad Smith, Mick Fleetwood, Tommy Lee, Nick Mason, Jim Keltner, and Sheila E., and many other legends. Drum Workshop, Inc. is headquartered in Oxnard, California. Drum Workshop joined the Roland family of brands in October 2022, combining two of the world’s best acoustic and electronic drum companies to push the boundaries of innovation for drummers. For more information, visit DWDrums.com.

GAVIN HARRISON: Interview with a Prog Legend!

Drummer’s Review interviewer Ollie Winiberg sits down with the legendary Gavin Harrison, known for his incredible drumming with Porcupine Tree, Pineapple Thief and King Crimson.

Ollie is welcomed into Gavin’s home for an in-depth conversation about his remarkable career, advice for aspiring drummers, and his plans for his appearance at The UK Drum Show 2025 on Saturday 18th October – be sure to grab your tickets now: www.theukdrumshow.com.

Gavin Proudly Plays…

Sonor Drums

Zildjian Cymbals

Vic Firth Drumsticks

Remo Drumheads

Tama Speed Cobra Pedals

Gibraltar Hardware

Hardcase

Noord

AKG Microphones

Planet Waves

CRS

Gruv-X


For more interviews with some of the biggest names in drumming along with completely impartial, HD video reviews, please subscribe to Drummer’s Review on YouTube: www.youtube.com/drummersreview and click on the bell icon to be notified as soon as each new video is released.

You can also follow Drummer’s Review on social media:

Facebook: @DrummersReviewUK

Instagram: @drummersreview

Twitter: @drummersreview


Biography

As a member of Porcupine Tree since 2002, a member of King Crimson since 2008, and a member of The Pineapple Thief since 2016, Gavin has performed and recorded with many artists in his long professional career.

Including Level 42, Iggy Pop, Sam Brown, Paul Young, Lisa Stansfield. He was invited to play a drum solo on the David Letterman Show, he has been the featured cover story of Modern Drummer Magazine three times and awarded the Modern Drummer best Progressive Drummer of the Year six times.

He has won the Prog Magazine readers poll for Best Progressive Drummer nine times.

Amedia 21″ Ride Cymbal Selection – Reviewed

Here’s the latest video from the Drummer’s Review Live Room featuring a selection of 21″ Rides from Amedia Cymbals

Featuring…

  • 21″ Vintage
  • 21″ Oniks
  • 21″ Farqin
  • 21″ Hitites
  • 21″ A Jazz
  • 21″ Ahmet Legend

Filmed February 2025 at Paul Caboche Studios, Cornwall, UK. (scroll down for recording & equipment details)

Amedia Cymbals Say…“Turkey is famous for producing the best hand-hammered cymbals in the world. The knowledge of producing these superior instruments comes from traditions handed down for over hundreds of years; this process has created master cymbal smiths whose talent for cymbal making is proven by the unique musicality of each cymbal they create. Being in the best cymbal producers, Amedia brings to you 100% handmade cymbals, made by hammer smiths and lathe men who are truly masters in their field. Through continuing the traditions of past masters, they create the perfect cymbals for today’s drummer. Each cymbal is handcrafted, and is as individual as the master himself.Every cymbal has the master’s mark and a touch of his spirit. This is ‘…the spirit of Amedia…’

Amedia 21″ Ride Cymbals:

All models (Except Hitites): £316.00,

Hitites 21″ Ride: £279.00

Pro’s:

  • Excellent value for money
  • Great individual sounds to cover most styles / settings
  • Fantastic construction and attention to detail

Con’s:

  • Very few!

For more details, head to: www.sweetdealdrums.com


Recording Details:

Filmed at Paul Caboche Studios (Cornwall UK). 

Microphone List:

Kick Rear: Audix D6
Kick Front: Electrovoice RE27ND
Snare Top: Electrovoice PL80
Snare Bottom: Electrovoice PL80
Hi Hat: Oktava MK-012-01 Cardio
Over Head wide: AKG C414B (pair)
Centre Over Heads: AEA R88 MK2 Stereo Ribbon Mic
Front Centre Room : AEA R88 MK2 Stereo Ribbon Mic
Wide Room Mic’s: sE2200T Tube Mic’s (pair)

Recording Process:

Microphone Pre amps: 16x Rupert Neve Designs 5052

Pre amp outs to Avid HD analog to digital converters connected to Avid HDX card

Recorded into Pro Tools Ultimate latest version running HDX cards mounted in an Apple Mac Pro 2019 16core.

Audio Template Details: 

Basic EQ:

Basic EQ setting using the EQ section of the Neve 5052 mic Pre-Amps. No post recoded EQ or processing applied.

A Note From Paul…

“The microphones were set up with the overheads and room mic’s measured to the centre of the snare drum to keep the phase of any stereo pair in phase. The AEA R88 MK2 mic’s being stereo mic’s had no issue with phase but the front centre room mic and centre overhead where aligned with each other to keep the same stereo image. The phase reverse switch on the front kick mic was used to correct the phase between the two bass drum mic’s. The phase reverse switch was engaged on the bottom snare mic to correct the phase between the two snare mic’s. Hi pass filters only used on the hi hat mic, Ride mic and overheads. The live room of the studio has been treated to provide a neutral sound close to the drums & cymbals with the room mic’s then giving a true representation of what the instruments sound like in the room. Using 16 identical Mic Pre amps also helps with electrical phase so there is no difference between tone and phase of the Mic Pre amps. The brief for the recoding was to give as true a representation as possible of what the instruments actually sound like.”


For more completely impartial, HD video reviews, please subscribe to Drummer’s Review on YouTube: www.youtube.com/drummersreview and click on the bell icon to be notified as soon as each new video is released. You can also follow Drummer’s Review on social media:

Facebook: @DrummersReviewUK

Instagram: @drummersreview

Twitter: @drummersreview

All of Drummer’s Review videos are recorded in a top quality studio with the finest equipment. To get the best from our reviews and really hear the instruments perform be sure to listen on good quality speakers or headphones!

NAOMI FORBES: The Powerhouse Player Talks All Things Drums!

From the Royal Albert Hall to The UK Drum Show Main StageNaomi Forbes is absolutely smashing it!

Having played for the likes of Paloma Faith, Cat Burns, and Leigh-Anne from Little Mix, Naomi’s career has been nothing short of iconic—and she’s only just getting started.

She picked up the sticks at age 5, and by 16, she was already tearing it up at iconic venues around the world. Now, she’s bringing her powerhouse drumming to the main stage of The UK Drum Show, performing at 11:15am on Saturday 18th October…Grab your tickets for the UK’s hottest drum weekend now: www.theukdrumshow.com

In this interview, Naomi shares her thoughts with Drummer’s Review interviewer Ollie Winiberg on the importance of networking, using social media as a tool for growth, overcoming hearing loss, and why preparation is everything. 

01:12 – Getting gigs like Paloma Faith

02:20 – Networking and Social Media

03:55 – Getting the call

05:15 – If you fail to prepare, you prepare to fail

06:14 – Music is a gift

07:00 – Drums is the best instrument

08:04 – Going deaf

10:15 – Advice for aspiring drummers

12:10 – What to expect at The UK Drum Show


Naomi Proudly Plays…

Mapex Drums

Zildjian Cymbals


For more interviews with some of the biggest names in drumming along with completely impartial, HD video reviews, please subscribe to Drummer’s Review on YouTube: www.youtube.com/drummersreview and click on the bell icon to be notified as soon as each new video is released.

You can also follow Drummer’s Review on social media:

Facebook: @DrummersReviewUK

Instagram: @drummersreview

Twitter: @drummersreview

Bristol Drum Company Snare Drums – Reviewed

Here’s the latest video from the Drummer’s Review Live Room featuring a pair of bespoke snare drums from Bristol Drum Company.

Harlequin Model:

  • 13″ x 6.5 Segmented wood shell constructed from Purpleheart, Ash, Oak, Black Walnut, Iroko, Wenge, Beech and Jutoba,
  • High gloss lacquer finish,
  • Chrome tube lugs,
  • S-hoops,
  • DW MAG Snare throw off & 3P butt plate,
  • Puresound Custom Pro 24-strand snare wires,
  • Evans Genera Dry batter heads over Hazy 300 snare side.

Iroko and Zebrano Model:

  • 14″ x 6″, 8mm segmented shell that combines a predominantly Iroko Shell with two horizontal bands of Zebrano,
  • High gloss lacquer finish,
  • Chrome tube lugs,
  • S-hoops,
  • DW MAG Snare throw off & 3P butt plate,
  • Puresound Custom Pro 24-strand snare wires,
  • Evans Genera Dry batter heads over Hazy 300 snare side.

Filmed February 2025 at Paul Caboche Studios, Cornwall, UK. (scroll down for recording & equipment details).

Bristol Drum Co. Says…“Solid wooden snare drums. Real hand-crafted segmented shellsfrom a range of exotic and indigenous tone woods. A range of unique drums – each with the individual sound and appearance you can only find from an independent drum workshop.

Bristol Drum Co. Snares: UK RRP:

13″ x 6.5″ Harlequin – £640.00

14″ x 6″ Iroko / Zebrano – £565.00

Pro’s:

  • Exquisite looks
  • Exceptional build quality
  • Incredible value for money

Con’s:

  • None

For more details on these Bristol Drum Company snares, head to: https://www.bristol-drum-co.uk/


 

Drummer’s Review, based in North Devon, England would like to thank the www.theseagate.co.uk for the use of their hotel for this photo shoot in their stunning bar & garden. Photography by Guy Harrop on location at The Seagate Hotel, Appledore, Devon.


Recording Details:

Filmed at Paul Caboche Studios (Cornwall UK). 

Microphone List:

Kick Rear: Audix D6
Kick Front: Electrovoice RE27ND
Snare Top: Electrovoice PL80
Snare Bottom: Electrovoice PL80
Hi Hat: Oktava MK-012-01 Cardio
Over Head wide: AKG C414B (pair)
Centre Over Heads: AEA R88 MK2 Stereo Ribbon Mic
Front Centre Room : AEA R88 MK2 Stereo Ribbon Mic
Wide Room Mic’s: sE2200T Tube Mic’s (pair)

Recording Process:

Microphone Pre amps: 16x Rupert Neve Designs 5052

Pre amp outs to Avid HD analog to digital converters connected to Avid HDX card

Recorded into Pro Tools Ultimate latest version running HDX cards mounted in an Apple Mac Pro 2019 16core.

Audio Template Details: 

Basic EQ:

Basic EQ setting using the EQ section of the Neve 5052 mic Pre-Amps. No post recoded EQ or processing applied.

A Note From Paul…

“The microphones were set up with the overheads and room mic’s measured to the centre of the snare drum to keep the phase of any stereo pair in phase. The AEA R88 MK2 mic’s being stereo mic’s had no issue with phase but the front centre room mic and centre overhead where aligned with each other to keep the same stereo image. The phase reverse switch on the front kick mic was used to correct the phase between the two bass drum mic’s. The phase reverse switch was engaged on the bottom snare mic to correct the phase between the two snare mic’s. Hi pass filters only used on the hi hat mic, Ride mic and overheads. The live room of the studio has been treated to provide a neutral sound close to the drums & cymbals with the room mic’s then giving a true representation of what the instruments sound like in the room. Using 16 identical Mic Pre amps also helps with electrical phase so there is no difference between tone and phase of the Mic Pre amps. The brief for the recoding was to give as true a representation as possible of what the instruments actually sound like.”


For more completely impartial, HD video reviews, please subscribe to Drummer’s Review on YouTube: www.youtube.com/drummersreview and click on the bell icon to be notified as soon as each new video is released. You can also follow Drummer’s Review on social media:

Facebook: @DrummersReviewUK

Instagram: @drummersreview

Twitter: @drummersreview

All of Drummer’s Review videos are recorded in a top quality studio with the finest equipment. To get the best from our reviews and really hear the instruments perform be sure to listen on good quality speakers or headphones!

GABOR DORNYEI: Big Drums, Big Personality, Big Acheivements

Drummer’s Review interviewer Ollie Winiberg sits down with the rhythmic powerhouse that is Gabor Dornyei. From rock to jazz to music for Disney, Gabor’s drumming has taken him across genres, continents and some seriously cool gigs. We chat about his early days, the importance of networking, his new Sonor SQ2 kit and we get a look at his famous kit that he has been building since 1995…it’s big!

Be sure to catch Gabor when he performs at The UK Drum Show on Sunday 19th October at 11.15am…Grab your tickets for the UK’s hottest drum weekend now: www.theukdrumshow.com

01:00 – Price tags

03:03 – Early memories

05:10 – Why the big kits?

07:00 – Playing open handed

08:45 – The UK Drum Show

10:05 – Sonor SQ2

13:00 – Visiting the UK Drum Show

16:56 – The importance of networking

20:50 – Reading and rudiments

23:54 – Gabor drum solo


Gabor Proudly Plays…

Sonor Drums

Zildjian Cymbals

Vic Firth Drumsticks

Tycoon Percussion

Remo Drumheads

Roland Electronics

Hardcase

Sky Gel Damper Pads


For more interviews with the biggest names in drumming along with completely impartial, HD video reviews, please subscribe to Drummer’s Review on YouTube: www.youtube.com/drummersreview and click on the bell icon to be notified as soon as each new video is released.

You can also follow Drummer’s Review on social media:

Facebook: @DrummersReviewUK

Instagram: @drummersreview

Twitter: @drummersreview


Biography

Gabor “Gabs” Dornyei

Stanley Jordan Quartet, tHUNder Duo, Session, Clinician & Head Of Drums at LCCM-London

Gabor Dornyei has been the touring and recording drummer for 4x Grammy Award nominated American “Jazz Guitar Genius” Stanley Jordan since 2016. They’ve recorded and toured the world multiple times over with great line ups, and presented headliner performances in North and South America, all over Europe, in the UK and even made it to Africa.

As a recording artist and session drummer, Gabs played on gold and platinum selling pop-rock albums and recorded for Walt Disney Co. He’s been the “house/recording drummer” for top UK record producer Andy Whitmore for 15 years now, who’s produced, Elton John, Peter Andre, Atomic Kitten, Jason Donovan and many more.

Gabs released two CD-s and three DVD-s under his own name with 5 star reviews and critical acclaim, “tHUNder Duo with Dom Famularo” (Hudson Music) “Drums, Music and Friends” and “Rhythm Frontier”- a duo release with World Percussionist Pete Lockett (Hunnia Records).

As a touring drummer Gabs performed at Glastonbury, Sziget Festival, London Jazz Festival, Music China Festival-Shanghai, Ronnie Scott’s, Canary Wharf Jazz Festival, Cape Verde Jazz Festival etc, and countless international drum festivals around the world, on the line up with Billy Cobham, Ian Paice, Terry Bozzio, Steve Smith, Gavin Harrison, Dom Famularo and many more. Gabor is respected world wide as a drum clinician and educator, and successfully completed 10 extensive solo drum clinic tours over China.

Gabs been featured in every single international drumming publications – including Modern Drummer Magazine in the USA-and on global, market leading online channels such as DRUMEO in Vancouver, Canada and DRUM CHANNEL in Los Angeles, California.

Gabs has been appointed as “Head Of Drums” at the prestigious LCCM-London University in 2023.

On the top of his busy touring schedule he’s been teaching drums for 30 years privately and been educating in higher education in the UK for over 15 years and presented drum clinics and masterclasses at almost every notable higher education organisation in the UK/EU and at the remarkable Drummers Collective Institute (DCI) in New York, USA.

In the education field Gabs has achieved a Level 7 PGCert qualification and he’s a Fellow of the UK Higher Education Academy. He manages his three private drum schools, currently Harrow, Pinner and Northwood Drum Schools.
Gabs has authored the American Detroit Institute of Music Education, USA (DIME)’s full drum curriculum and been the Head Of Drums for DIME-Online from 2014-2018.

He’s also running a successful private teaching business from his home studio, Gabbey Road Studio where he also records remote/online sessions and conducts online lessons for student from all around the world.

Gabs is global endorser of market leading companies, such as Sonor Drums (Germany), Zildjian Cymbals (USA), Remo Drumheads,(USA) Vic Firth (Signature) Sticks (USA), Tycoon Percussion (Thailand), Audix Microphones (USA), Hardcase (GB), SkyGel (Germany) & Cympad (USA).

In 2018 DRUMEO listed Gabor among their Top 10 Drummers in the World, together with his idols, Billy Cobham, Peter Erskine and Bernard Purdie.

The Europe Drum Show Returns to Germany After Successful Year One

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The Europe Drum Show, which debuted in Friedrichshafen, Germany last month, has announced it will return in 2026 after a hugely successful year one.

On Another Level Ltd, the same company responsible for hosting The UK Drum Show, which takes place annually at the ACC Liverpool, are behind the planning and organising of this further annual consumer drum and percussion event in Germany, having now announced that April 11th & 12th 2026, will see The Europe Drum Show return to Messe Friedrichshafen following both visitor and exhibitor demand.

Main Stage packed out with performance from Rammstein’s Christoph Schneider

Visitor attendance saw 3115 guests visit The Europe Drum Show across the weekend, with the Saturday being the dominant day. This follows similar trends of the early UK Drum Show days, with guests putting their toe in the water on the Saturday, with weekend tickets becoming the majority ticket type purchased, as guests familiarise themselves with the event, the venue, and the variety of content available for guests to experience across both days, reports the organisers.

“In all honesty, The Europe Drum Show exceeded even our own expectations for a year one show,” stated Neil Golding, organiser and founder of both the UK and Europe drum shows. “Having run events for numerous years here in the UK, organising an event in another country, of course took some further considerations and remote planning, as well as several advance site visits with both venue and contractors ahead of the show, however, the response from exhibitors and visitors alike has been staggering for year one – so much positivity!.”

There were many signing sessions over the weekend – Mike Johnston meets drumming fan on Meinl booth

Golding continues, “conversations of a Europe drum show began several years ago, due to a real lack of a drum and percussion exhibition presence in Europe, with the common phrase being “since Musik Messe ceased in Frankfurt, there has really been nothing“. “Of course, since COVID in my opinion there has been a real shift to consumer experiences, with the other factor of course, being the decline of music retailers both here in the UK and in Germany. With The Europe Drum Show now having the biggest collection of acoustic drums, digital drums, cymbals, pedals, hardware and every accessory you can imagine under one roof, drummers come along and try gear they may not have been able to see or test before, as well as being inspired and motivated from the numerous main stage, clinics, education sessions and experiences on offer over the weekend.”

Regio TV and other media outlets report of The Europe Drum Show:

Regio TV

Mikkey Dee interview at The Europe Drum Show from Regio TV

Since the dates were released for The Europe Drum Show 2026 (April 11th & 12th) guests have already begun to purchase tickets, along with exhibition and expansions rebooks, with artists being discussed for next year’s line up, state the organisers.

For tickets to The Europe Drum Show please visit here.

For companies wishing to exhibit at either The UK or Europe Drum Show, please contact the organiser at:

The Europe Drum Show – organiser@theeuropedrumshow.com

The UK Drum Show – organiser@theukdrumshow.com