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Sonor AQX Series Jungle Shell Pack – Drummer’s Review

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Sonor AQX Series Jungle Shell Pack – Drummer’s Review

Here’s our latest review featuring a Sonor AQX Series Jungle shell pack. Filmed September 2023 (scroll down for recording & equipment details).

The kit features…

  • 16″ x 15″ bass drum,
  • 10″ x 7″ rack tom,
  • 13″ x 12″ floor tom,
  • 13″ x 6″ snare drum
  • 9-ply, 7.2mm Chinese poplar shells
  • 1.5 mm triple steel hoops on the snare and toms / matching wood hoops on bass drum,
  • Blue Ocean Sparkle finish.

Sonor AQX Series Jungle Shell Pack – UK RRP: £539.00

Sonor says...”With the AQX complete kits, SONOR has packed everything into a box a beginner drummer could need: Great sounding shells, an extensive hardware lineup, bronze cymbals and a versatile snare drum. But it didn’t stop there. With the AQX compact kits, lightweight shell kits are offered as well.”

For more details about the Sonor AQX Series Jungle Shell Pack, head to: www.sonor.com

Recording Details:

Filmed at Paul Caboche Studios (Cornwall UK). 

Microphone List:

Kick Rear: Audix D6
Kick Front: Electrovoice RE27ND
Snare Top: Electrovoice PL80
Snare Bottom: Electrovoice PL80
Hi Hat: Oktava MK-012-01 Cardio
Ride: Oktava MK-012-01 Cardio
Toms: AKG C414B
Over Head wide: AKG C414B (pair)
Centre Over Heads: AEA R88 MK2 Stereo Ribbon Mic
Front Centre Room : AEA R88 MK2 Stereo Ribbon Mic
Wide Room Mic’s: sE2200T Tube Mic’s (pair)

Recording Process:

Microphone Pre amps: 16x Rupert Neve Designs 5052

Pre amp outs to Avid HD analog to digital converters connected to Avid HDX card

Recorded into Pro Tools Ultimate latest version running HDX cards mounted in an Apple Mac Pro 2019 16core.

Audio Template Details: 

No EQ:

Direct microphone sound – no EQ either pre or post recording applied from the Neve 5052 Pre-Amps EQ section.

Basic EQ:

Basic EQ setting using the EQ section of the Neve 5052 mic Pre-Amps. No post recoded EQ or processing applied.

Full Studio Mix:

Post EQ section of the Neve 5052 mic Pre-Amps plus post production EQ, gating, parallel compression and some reverb added to the snare and toms. There was also some room mic processing along with parallel drum bus adding compression and reverb to the overall sound.

A Note From Paul…

“The microphones were set up with the overheads and room mic’s measured to the centre of the snare drum to keep the phase of any stereo pair in phase. The AEA R88 MK2 mic’s being stereo mic’s had no issue with phase but the front centre room mic and centre overhead where aligned with each other to keep the same stereo image. The phase reverse switch on the front kick mic was used to correct the phase between the two bass drum mic’s. The phase reverse switch was engaged on the bottom snare mic to correct the phase between the two snare mic’s. Hi pass filters only used on the hi hat mic, Ride mic and overheads. The AKG C414B mic’s on the toms have very little proximity bass boost so can be considered a pretty flat representation of the toms. The same can be said for the Electrovoice PL80 mic’s on the snare drum. Every effort was made so that the NO EQ sound example audio on the video was as true a representation of what the drums sounded like in the live room. The live room of the studio has been treated to also provide a neutral sound close to the drums with the room mic’s then giving a true representation of what the drums sound like in the room. Using 16 identical Mic Pre amps also helps with electrical phase so there is no difference between tone and phase of the Mic Pre amps. The brief for recoding the drums was to give as true a representation as possible of what the drums actually sound like and to then give examples of what can be done to the sound of the drums.”

For more completely impartial, HD video reviews, please subscribe to our YouTube Channel: www.youtube.com/drummersreview and click on the bell icon to be notified as soon as each new video is released. You can also follow us on our social media channels:

Facebook: @DrummersReviewUK

Instagram: @drummersreview

Twitter: @drummersreview

All of Drummer’s Review videos are recorded in a top quality studio with the finest equipment. To get the best from our reviews and really hear the instruments perform be sure to listen on good quality speakers or headphones!

Also, be sure to check out our sister-sites (share with your bandmates!) covering Bass Guitar and Acoustic Guitar…

Ludwig Continental Club Series Shell Pack – Drummer’s Review

Drummer's Review
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Ludwig Continental Club Series Shell Pack – Drummer’s Review

Here’s our latest review featuring a Continental Club Series shell pack from Ludwig Drums. Filmed September 2023 (scroll down for recording & equipment details).

The kit features…

  • 22″ x 14″ bass drum,
  • 12″ x 8″ rack tom,
  • 16″ x 16″ floor tom,
  • 14″ x 6.5″ snare drum,
  • 7.2mm 7-ply Cherry Hybrid shells
  • 2.3mm triple flanged hoops on the snare and toms / matching wood hoops on bass drum,
  • White Marine Pearl finish

UK RRP: £1599.00

Ludwig EU says...”Built from the foundations of the widely popular Club Date SE series, the Continental Club features a Hybrid Cherry shell construction that really packs a punch and offers long sustain reminiscent of classic Ludwig kits.

Featuring a combination of specially selected parts, signature long lugs and portable shell sizes the Continental Club is a convenient solution for those looking to take their next step up from a beginner kit in a range of settings.”

For more details, head to: www.ludwig-drums.eu

Recording Details:

Filmed at Paul Caboche Studios (Cornwall UK). 

Microphone List:

Kick Rear: Audix D6
Kick Front: Electrovoice RE27ND
Snare Top: Electrovoice PL80
Snare Bottom: Electrovoice PL80
Hi Hat: Oktava MK-012-01 Cardio
Ride: Oktava MK-012-01 Cardio
Toms: AKG C414B
Over Head wide: AKG C414B (pair)
Centre Over Heads: AEA R88 MK2 Stereo Ribbon Mic
Front Centre Room : AEA R88 MK2 Stereo Ribbon Mic
Wide Room Mic’s: sE2200T Tube Mic’s (pair)

Recording Process:

Microphone Pre amps: 16x Rupert Neve Designs 5052

Pre amp outs to Avid HD analog to digital converters connected to Avid HDX card

Recorded into Pro Tools Ultimate latest version running HDX cards mounted in an Apple Mac Pro 2019 16core.

Audio Template Details: 

No EQ:

Direct microphone sound – no EQ either pre or post recording applied from the Neve 5052 Pre-Amps EQ section.

Basic EQ:

Basic EQ setting using the EQ section of the Neve 5052 mic Pre-Amps. No post recoded EQ or processing applied.

Full Studio Mix:

Post EQ section of the Neve 5052 mic Pre-Amps plus post production EQ, gating, parallel compression and some reverb added to the snare and toms. There was also some room mic processing along with parallel drum bus adding compression and reverb to the overall sound.

A Note From Paul…

“The microphones were set up with the overheads and room mic’s measured to the centre of the snare drum to keep the phase of any stereo pair in phase. The AEA R88 MK2 mic’s being stereo mic’s had no issue with phase but the front centre room mic and centre overhead where aligned with each other to keep the same stereo image. The phase reverse switch on the front kick mic was used to correct the phase between the two bass drum mic’s. The phase reverse switch was engaged on the bottom snare mic to correct the phase between the two snare mic’s. Hi pass filters only used on the hi hat mic, Ride mic and overheads. The AKG C414B mic’s on the toms have very little proximity bass boost so can be considered a pretty flat representation of the toms. The same can be said for the Electrovoice PL80 mic’s on the snare drum. Every effort was made so that the NO EQ sound example audio on the video was as true a representation of what the drums sounded like in the live room. The live room of the studio has been treated to also provide a neutral sound close to the drums with the room mic’s then giving a true representation of what the drums sound like in the room. Using 16 identical Mic Pre amps also helps with electrical phase so there is no difference between tone and phase of the Mic Pre amps. The brief for recoding the drums was to give as true a representation as possible of what the drums actually sound like and to then give examples of what can be done to the sound of the drums.”

For more completely impartial, HD video reviews, please subscribe to our YouTube Channel: www.youtube.com/drummersreview and click on the bell icon to be notified as soon as each new video is released. You can also follow us on our social media channels:

Facebook: @DrummersReviewUK

Instagram: @drummersreview

Twitter: @drummersreview

All of Drummer’s Review videos are recorded in a top quality studio with the finest equipment. To get the best from our reviews and really hear the instruments perform be sure to listen on good quality speakers or headphones!

Also, be sure to check out our sister-sites (share with your bandmates!) covering Bass Guitar and Acoustic Guitar…

Drum Workshop Introduces DW Soundworks™ Virtual Drums Plugin

Drummer's Review
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0
Drum Workshop Introduces DW Soundworks™ Virtual Drums Plugin

Drum Workshop, Inc. (DW) a global leader in the design and manufacturing of acoustic drums, is proud to announce the launch of their premium virtual studio instrument (VST) and drum sample library, DW Soundworks alongside the launch of their first-of-its-kind wireless acoustic-electronic convertible drum set DWe®.

Designed by DW to deliver a powerful software solution, DW Soundworks puts the drummer in control of their sound. With an intuitive, simple interface and advanced controls for those who want to fine-tune every detail, the new software delivers the most authentic experience whether it is powering the DWe drum kit or being used as a VST plugin.

The new DW Soundworks platform incorporates all the expertise, creativity, development, and refinement expected of a DW product. This virtual instrument offers a comprehensive collection of drum sounds which cater to a wide array of musical styles and genres. DW Soundworks is the solution for DW, Gretsch, and Slingerland drum sounds.

DW Soundworks samples capture the authentic tonality of the company’s drums for a realistic audio experience. The core library features drum kit samples from the DW Collector’s Series® line including DW Pure Maple®, DW Maple Mahogany and limited-edition kits no longer in production including the DW 50th Anniversary and DW Pure Almond® kits. Additionally, DW Soundworks includes a Gretsch USA Custom kit, and the personal 1958 Slingerland kit of DW’s founder Don Lombardi. The drums were sampled to the exacting specifications of DW with 18 dynamic layers per sample and recorded at the DW factory with best-in-class microphones, high-quality microphone preamplifiers plus a variety of compressors and equalizers. Future expansion packs will offer users even more drum kit choices.

Building on the brand’s reputation as a custom drum manufacturer, customization is built right into DW Soundworks and now in the hands of the music producer. Effects can be used to fine tune the library’s sound samples; equalization (EQ), compression, reverb, plus other processing options allow users to shape their drum sound and can be applied either to individual drum elements or to the entire drum kit. The software supports up to 30 active instruments, has seamless DAW compatibility, and a library of high-quality, DW acoustic drum sounds recorded at 24-bit resolution and a sampling rate of 88.2 kHz. It is Apple MacOS & Microsoft Windows compatible.

The powerful and user-friendly virtual drum software DW Soundworks fulfills the demands of musicians and producers alike. It is a top-tier electronic drum instrument with unmatched quality, versatility, and realism, which offers an expandable library of samples and effects with countless controls to produce a drum sound to your exact tastes.

To find out more about DW Soundworks™ please go to www.dwdrums.com/software/

DW Drums Introduces The World’s First Wireless Acoustic-Electronic Convertible Drum kit DWe

Drummer's Review
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DW Drums Introduces The World’s First Wireless Acoustic-Electronic Convertible Drum kit DWe

New Innovation Seamlessly Blends Artistry with Breakthrough Technology

OXNARD, CA (November 1st, 2023) – Drum Workshop, Inc. (DW) is proud to announce the launch of DWe, a first-of-its-kind wireless, acoustic-electronic convertible drum set. Under development for several years, DWe is designed to blur the lines between acoustic and electronic drums and deliver an authentic playing experience. DWe adds innovative, patent-pending technology to the artisan, handcrafted acoustic drum shells that DW is known for worldwide. DWe is DW electrified!

DWe drums are fully convertible, handcrafted acoustic and electronic drums, offering drummers the best of both worlds. The kit’s 100% maple e33 shells are hand-built at DW’s factory in California, U.S.A. using the finest materials for the ultimate sound. Mounted within the shells are DWe’s new, proprietary electronic drum triggers featuring cutting-edge wireless technology with no latency. DWe drums are ready to play straight out of the box with no wires or cables required and are available in a choice of stunning finishes.

Innovation is built into every DWe kit. Intuitive features include a digiMAG™ snare throw-off, pressure-sensing cross stick detection, and pitch bend capabilities, which make DWe the most realistic playing experience available for electronic drummers. DWe uses an innovative wireless trigger solution that enables up to five zones and up to 18 dynamic layers per drum, giving you a natural range of dynamics for your playing. DWe cymbals are engineered for expression, with an authentic metal playing surface, three zones (edge, bow, bell), edge choke, and 360-degree playability. DWe leverages generations of quality standards and expertise from both Drum Workshop and Roland Corporation to deliver best-in-class dependability.

Shipped with the DWe kit is DW’s new DW Soundworks™ virtual software instrument. It has drums and cymbals sampled by DW to their exacting specifications, giving drummers a range of premium samples with natural drum tonality. With an intuitive, simple interface and advanced controls for those who want to fine tune every detail, DW Soundworks™ delivers the most comprehensive experience whether it is powering the DWe kit or being used as a plugin in a Digital Audio Workstation (DAW). In addition, the DW Soundworks™ platform will continue to grow with downloadable expansion packs including new kits, effects, and more.

Chad Wackerman

DWe is a breakthrough in acoustic-electronic convertible drums, built for drummers by drummers. They have been developed and tested by many of the most respected drummers including Nisan Stewart (Beyonce, Jay Z, Dancing with the Stars), Sheila E(Prince), Josh Freese (Foo Fighters), Trevor Lawrence Jr (Snoop Dogg, Dr. Dre), Chad Wackerman (James Taylor, Frank Zappa), Stephen Perkins (Jane’s Addiction, Porno for Pyro’s), Terry Bozzio(Missing Persons) and Thomas Lang (st0rk, session drummer).

Every part of the playing experience has been designed with the drummer in mind. From the simplicity of wireless and industry-leading hardware to invisibly embedded technology and user-friendly software, the innovation in DWe is designed to let you focus on your playing.

To find out more about the pioneering new DWe drums please visit https://www.dwdrums.com/dwe/. DWe is available in store in North America and Japan beginning in November 2023 and additional markets in 2024.  Please check the DW website or ask your local dealer for availability in your local market.

About Drum Workshop
 Founded in 1972, Drum Workshop, Inc. is widely recognized as the global leader in designing and manufacturing award-winning musical instruments including drums, pedals, hardware, and accessories. Drum Workshop manufactures, markets and distributes an iconic portfolio of brands including DW® Drums and Hardware, PDP®, Gretsch® Drums, Latin Percussion®, and Slingerland. Drum Workshop’s wide range of products have earned their reputation as The Drummer’s Choice and are endorsed by many of the world’s top artists including Dave Grohl, Matt Gartska, Chad Smith, Mick Fleetwood, Tommy Lee, Nick Mason, Jim Keltner, and Sheila E., and many other legends. Drum Workshop, Inc. is headquartered in Oxnard, California. Drum Workshop joined the Roland family of brands in October 2022, combining two of the world’s best acoustic and electronic drum companies to push the boundaries of innovation for drummers. For more information, visit DWDrums.com.

“Exclusive Show Discounts Inside!”

Drummer's Review
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“Exclusive Show Discounts Inside!”

Organisers of The UK Drum Show and the publishers of Drummer’s Review have teamed up with iFi Studio and Gear4music to offer you this time limited offer!!….

“The ZEN CAN Studio, as used on tour by iFi Studio ambassador Craig Blundell, is a high-quality IEM amplifier, which can be mounted on a mic stand and located conveniently by the drummer’s side. Packed full technology, the ZEN CAN Studio is compatible with all IEMs and headphones, including even the most power-hungry models.

Gryphon Pro Pack is the premier ‘belt-pack’ solution for ultra-high quality personal monitoring for professional working musicians. It is the most comprehensively equipped portable headphone amp and D/A on the planet. Connect a pair of custom IEMs or full headphones and experience personal monitoring like never before.

Available now with an exclusive discount for subscribers to Drummer’s Review, until 30th November.”

To buy now click HERE

Obituary – Aaron Spears

Drummer's Review
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Obituary – Aaron Spears

Drummer’s Review is sad to report the death of drummer Aaron Spears at the age of forty-seven.

As a child, Aaron grew up attending his local church, and it was there that he would wait for a chance to sit in with the church band.

Aaron achieved the break he had been waiting for when he was twenty-three, and he joined the Gideon Band, a local band in his home of Washinton DC. Thanks to national touring with the band, Aaron came to the attention of Valdez Brantley, Musical Director for R ‘n’ B legend Usher. Aaron contributed to two tracks on Usher’s multi-platinum Confessions album, and toured with him for the following eighteen months. Following the success of the album, Aaron was nominated for a Grammy Award.

His high-level profile now established, Aaron has taken his drumming skills and enhanced the music of a large list of high-profile artists, including Ariana Grande, Britney Spears, Chaka Khan, Lady Gaga, and others, as well as backing James Brown during a live showcase at the Grammy Awards.

One of Aaron’s last positions was as the Music Coordinator and band drummer for the American TV Series The Masked Singer.

As a musician, Aaron Spears was highly regarded by fans and contemporaries alike for his skill as a drummer, particularly his ‘ins the pocket’ style which added an infectious groove and rhythm to any piece of music on which he played. Added to that his ability to explode into a cascade of rhythmic intensity, and Aaron was known as a drummer of exceptional talent. Aaron was known for his considerable versatility as a player, turning his ability to gospel, jazz, r ‘n’ b, and jazz.

Aaron was also a keen advocate of education, holding regular drum clinics and drum camps, and always offering encouragement to young players.

Personally, Aaron always maintained and enjoyed discussing his deep commitment to his Christian faith. Having been raised in the Pentecostal Church, Aaron always attributed his talent and his success to his beliefs.

At the time of writing, no confirmed information is available as to the cause of Aaron’s death, other than information on Facebook advising that he passed away a few days ago.

Aaron is survived by his wife Valentine, and his young son Gus.

Drummer’s Review extends sincere condolences to Aaron’s family, friends, and his many colleagues in the music industry, who mourn the passing of such an amazingly talented, and humble musician.

ANDY HUGHES.

Latin Percussion Adds Congas To Discovery Series

Drummer's Review
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Latin Percussion Adds Congas To Discovery Series

Latin Percussion (LP) expands its Discovery Series of percussion instruments with the addition of the all-new, lightweight, tunable Discovery Congas.

Made with LP’s Exclusive HD™ Shell Construction the Discovery Congas are built using a high-density plastic shell that offers a bright and punchy tone. The 10” and 11” drums feature natural rawhide heads for an authentic playing experience and EZ Curve rims for hours of comfortable play.  The 9/32” lugs mean the Discovery Congas are easy to tune and produce a dynamic sound suitable for the beginner and intermediate player. Also included is a double conga stand and a tuning wrench.

The Discovery Congas are available in four vibrant colors: Black Onyx, Race Car Blue, Sea Foam, and Slate Grey. They are finished with black powder-coated hardware for stunning looks.  Their striking appearance and exciting sound make the new Discovery Congas the perfect way to leap into hand percussion.

To find out more about the LP Discovery Congas and all the other Latin Percussion products, please go to lpmusic.com/.

iFi Studio Appoints Tim Wilson As Brand Ambassador

Drummer's Review
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iFi Studio Appoints Tim Wilson As Brand Ambassador

iFi Studio is pleased to announce the appointment of drummer Tim Wilson as a brand ambassador, adding to the growing number of professional musicians who are choosing to use iFi Studio products for their live monitoring solutions.

Tim Wilson is a highly regarded drummer in the progressive, rock and metal scene, currently recording and touring in IO Earth and The Dave Cureton Band as well as a session drummer and performer in a number of other projects. He has been drumming since he was 14 years old and is widely acknowledged for the creativity, energy, enthusiasm and joy he throws into every beat. His career has seen him undertake numerous tours, from the ‘Cruise To The Edge’ progressive rock experience alongside acts such as Marillion, Haken and Transatlantic  through to highly established rock festivals including Planet Rockstock and Beautiful Days.

Wilson has chosen the iFi Studio ZEN CAN Studio IEM amplifier as part of his monitoring rig, commenting that “The ZEN CAN Studio has transformed my live and studio playing adding clarity, comfort and flexibility to every situation. As an audiophile and fan of great tech, I love the attention to detail that iFi Studio puts into its products.”

In addition to his extensive band activity, Wilson is also responsible for marketing at UK drum head manufacturer, Code Drum Heads. And, as an endorsee for Natal Drums, Amedia Cymbals, Pellwood Drumsticks, Duallist Drums and Pedals, in addition to Code Drum Heads, he supports and showcases amazing products wherever he goes and is “Excited to be part of the iFi Studio family.”

Miles Roberts, iFi Studio’s global head of sales, welcomes Tim on board, “We are delighted that Tim, another top-flight musician, has chosen to use the ZEN CAN Studio for his live monitoring purposes.” He continues, “It is testament its incredible sound quality that this product is quickly becoming a favourite with working drummers who require extreme levels of audio clarity to compete with the on-stage volumes and to protect their hearing by being able to monitor at safe levels.”

Tim Wilson

Tim Wilson adds, “I can’t wait to get the ZEN CAN Studio out on the road when IO Earth tours to support our latest album ‘Sanctuary’ and in a few weeks when I am playing with Dave Curton in the support slot for The Winery Dogs in the Netherlands. It will be great to really put it through its paces and I am very confident that it is going be hugely beneficial to my monitoring on stage and I look forward to telling others how I use their amazing products in the studio and on the road.”

The ZEN CAN Studio is a high-quality IEM amplifier, which can be mounted on a mic stand and located conveniently by the drummer’s side, thanks to its underside mic 5/8” mounting socket. Packed full technology, the ZEN CAN Studio is compatible with all IEMs and headphones, including even the most power-hungry models. Its mixture of balanced and unbalanced inputs provides maximum connection flexibility, whether working in the studio or live on the road.

Weblinks: www.ifi-studio.com

https://ioearth.com

Black Shed Drums New for UK Drum Show 2024

Drummer's Review
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Black Shed Drums New for UK Drum Show 2024

No two drums the same!! That’s the motto of Black Shed Drums, based in Barrow-in-Furness, at the edge of The Lake District.

Owned and run by Leanne Corbett-Jones, a drummer with over 25 years’ experience, Black Shed Drums is your local, friendly go to place for all your drum building, customisation, servicing, repair, refurbishment and restoration needs.

BUILDING

From snare drums, individual drums to full kits, I can help to bring your vision to life by building you a snare, kit or individual drum to your own specifications, thereby creating a drum or full kit that is completely unique to you.

CUSTOMISATION

Want to change the look of your drums but don’t want the expense of a new snare or kit?

Got an idea but not sure how to achieve it?

Bring your drums to me and let me transform the look of your kit for you.

Using various mediums such as genuine drum wrap, printed drum wrap, adhesive vinyl’s, sticker bombing, wallpaper, paint, wood stain and anything else you (or I) can think of, I can help to create your vision.

SERVICING

There are 3 levels of servicing available;

Basic – A clean and polish with all hardware in-situ on the drum.

Intermediate – A clean and polish with all hardware removed from the drum.

Advanced – A full strip down, clean and polish of all component parts.

All services can be individually tailored to meet your exact requirements.

REPAIR

From rattly snares and squeaky pedals to missing or broken parts and split skins. I can repair damage to your drums and hardware, helping you to get the best out of your drum or drum kit. More often than not, it’s possible to repair broken items thus saving the expense of buying new equipment.

REFURBISHMENT/RESTORATION

This includes;

Cleaning and polishing drums and hardware

Rust removal (where possible)

Replacing old, damaged or broken parts

Replacing drum heads/skins

Drum/drum kit re-wraps

RTOM LV Practice Heads – Drummer’s Review

Drummer's Review
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RTOM LV Practice Heads – Drummer’s Review

Here’s our latest review featuring a selection of RTOM LV Practice Mesh Heads. Filmed September 2023 (scroll down for recording & equipment details).

Featuring…

  • 22″ bass drum head,
  • 10″ & 12″ rack tom heads,
  • 16″ floor tom head,
  • 14″ snare head,
  • centre dot for reinforced attack and durability.

UK RRP: Beginner’s Pack (22″,10″,12″,14″,16″) – £162.00

RTOM Says…”Similar to comparable mesh heads, LV Mesh Heads replace your existing acoustic heads to allow for low-volume drumming. But that’s where the similarities end. LV Mesh Heads feature a specially designed sound patch at the center of the head, which enhances the realism of the response and provides a more audible attack. And, like the Black Hole Practice System, their heavy-duty mesh material offers unparalleled durability.

LV Mesh Heads are an exceptional option for drummers on a budget who want to outfit their entire kit with a high-quality, low-volume practice solution.”

For more details, head to: www.rtom.com

Recording Details:

Filmed at Paul Caboche Studios (Cornwall UK). 

Microphone List:

Over Head wide: AKG C414B (pair)
Centre Over Heads: AEA R88 MK2 Stereo Ribbon Mic
Front Centre Room : AEA R88 MK2 Stereo Ribbon Mic
Wide Room Mic’s: sE2200T Tube Mic’s (pair)

Recording Process:

Microphone Pre amps: 16x Rupert Neve Designs 5052

Pre amp outs to Avid HD analog to digital converters connected to Avid HDX card

Recorded into Pro Tools Ultimate latest version running HDX cards mounted in an Apple Mac Pro 2019 16core.

Audio Template Details: 

Basic EQ:

Basic EQ setting using the EQ section of the Neve 5052 mic Pre-Amps. No post recoded EQ or processing applied.

A Note From Paul…

“The microphones were set up with the overheads and room mic’s measured to the centre of the snare drum to keep the phase of any stereo pair in phase. The AEA R88 MK2 mic’s being stereo mic’s had no issue with phase but the front centre room mic and centre overhead where aligned with each other to keep the same stereo image. The phase reverse switch on the front kick mic was used to correct the phase between the two bass drum mic’s. The phase reverse switch was engaged on the bottom snare mic to correct the phase between the two snare mic’s. The live room of the studio has been treated to provide a neutral sound close to the drums & cymbals with the room mic’s then giving a true representation of what the instruments sound like in the room. Using 16 identical Mic Pre amps also helps with electrical phase so there is no difference between tone and phase of the Mic Pre amps. The brief for the recoding was to give as true a representation as possible of what the instruments actually sound like.”

For more completely impartial, HD video reviews, please subscribe to our YouTube Channel: www.youtube.com/drummersreview and click on the bell icon to be notified as soon as each new video is released. You can also follow us on our social media channels:

Facebook: @DrummersReviewUK

Instagram: @drummersreview

Twitter: @drummersreview

All of Drummer’s Review videos are recorded in a top quality studio with the finest equipment. To get the best from our reviews and really hear the instruments perform be sure to listen on good quality speakers or headphones!

Also, be sure to check out our sister-sites (share with your bandmates!) covering Bass Guitar and Acoustic Guitar…

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