Page 2 – Drummer's Review

Inside The Europe Drum Show 2026 | Full Vlog

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28 April, 2026

Inside The Europe Drum Show 2026 | Full Vlog

There’s something about the Europe Drum Show that just feels special… and this year it properly delivered.

Over the weekend of the 11th and 12th of April, I was back in Friedrichshafen, Germany, hosting the main stage for the second installment of The Europe Drum Show. It’s still a relatively new event, but you wouldn’t know it from the atmosphere…busy halls, big names, and that constant buzz of people hitting drums everywhere you turn.

Alongside main stage hosting duties, I put together a vlog to give you a proper look around the show. I deliberately kept it away from the Main stage stuff. As much as that side of things is a huge part of the event (and something I’m obviously heavily involved in), I wanted the video to feel more like you were just walking around with me, seeing what’s actually happening across the floor.

And there was plenty to see.

I spent a good chunk of time chatting to some seriously interesting people. I caught up with El Estepario, who was exactly what you’d expect. A huge personality and very down to earth. I also spoke with Gee Anzalone from DragonForce, Rick Latham, Eric Moore (who, by the way, is totally hilarious), Mike Johnston and Mike Dolbear, which gave a proper mix of perspectives. From education, touring to social media and everything in between.

I also had a really interesting chat with Derek Lee, the creator behind Beat Note. It’s always refreshing speaking to someone working on the development side who are involved with building tools that genuinely help drummers improve and stay organised, rather than just adding more noise.

Outside of the conversations, I gave a full tour of the exhibition hall, and honestly, it’s one of those places where you can lose hours without even trying (and spend a lot of money!). Most major brands you can think of were there…there were kits, cymbals, sticks, electronic gear and percussion. It’s basically Disneyland for drummers.

But one of the standout moments for me didn’t involve a big name at all.

I met a 13-year-old lad called Tino, who’s started his own drumstick company called Chopsticks. It’s a great name and even better slogan: “Made for drumming, not for sushi.” Now look, I’m not saying these were the best sticks in the building… but that’s not why I stopped to talk to him. It was the fact he was there, at that age, putting himself out there and building something from scratch. That’s what stuck with me.

That, more than anything, is what the Europe Drum Show is about. Not just the headline names, but the passion behind it all.

If you haven’t checked out the vlog yet, give it a watch—I’ve tried to capture what it actually feels like to be there, not just what it looks like from a stage.

The Europe Drum Show will return in 2027. Dates TBC

Virgil Donati | Pulse, Timing & Feel

Drummer's Review

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9 April, 2026

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When you think of Virgil Donati, it’s easy to focus on the jaw-dropping technical ability, the polyrhythms, the independence and his sheer musicality. But when I caught up with him ahead of his appearance at The Europe Drum Show (11–12 April), what stood out most wasn’t just the playing, it was the mindset behind it.

After more than six decades behind the kit, what still excites him?

The answer was simple: challenge.

“It’s always about challenging yourself,” Virgil explained. “You’ve got to keep the ideas churning and avoid becoming complacent.” It’s a philosophy that’s clearly shaped his entire career. Rather than chasing reinvention for the sake of it, Virgil focuses on evolution, constantly pushing forward, refining ideas and finding new ways to stay engaged. It’s that mindset that keeps the fire alive.

Interestingly, for someone so closely associated with complex playing, Virgil was quick to highlight the importance of simplicity.

“Simple is difficult.”

It’s a statement that will resonate with drummers at any level. Groove, feel and touch… These are the elements that can’t be faked, and often take the longest to truly master. While technical ability can open doors, it’s musicality that keeps you in the room.

Another standout moment from our conversation was Virgil’s honesty about the realities of life as a professional musician. From learning incredibly demanding material with limited preparation time to balancing multiple projects, it’s not always as seamless as it might appear from the outside.

“Sometimes I’ve failed the challenge,” he admitted.

That level of openness is refreshing and a reminder that even the most accomplished players are still navigating the same pressures and constraints as everyone else, just at a different level.

For aspiring drummers, Virgil didn’t sugar-coat things. “Being an artist can be a really tough path,” he said, pointing to the mental resilience required to sustain a career in music. Talent alone isn’t enough, it takes belief, discipline and above all, desire.

That said, he was equally keen to emphasise that success doesn’t look the same for everyone. Whether you’re aiming for a global career or simply playing weekend gigs around a day job, the key is to enjoy the process and stay committed to your own path.

In today’s social media-driven world, where technical ability is often front and centre, Virgil also offered a subtle but important reality check. There’s a growing fixation on extreme technique but it often comes at the expense of musicality, expression and creativity.

For him, the ultimate goal isn’t perfection, it’s expression. And the purest form of that comes through improvisation.

“The true spirit of improvisation is that you don’t even think about it.”

Virgil Donati will be taking to the main stage at The Europe Drum Show in Friedrichshafen on Sunday 12th April, and if this conversation is anything to go by, it won’t just be a display of technical brilliance, it’ll be a masterclass in mindset and the art of never standing still.

Because no matter how far you go in music, there’s always another challenge waiting…

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Roland Announces SPD-SX PRO Version 2.0

Drummer's Review

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1 April, 2026

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Roland Announces SPD-SX PRO Version 2.0

Roland announces the Version 2.0 update for the SPD-SX PRO Sampling Pad. Offering customizable trigger LEDs, multiple audio outputs and trigger inputs, massive onboard memory, and much more, the rugged and reliable SPD-SX PRO is the ultimate solution for professional drummers and all types of creative performers. The free Version 2.0 update brings even more power and flexibility to the flagship Roland sampling pad, thanks to newly added features and numerous workflow enhancements for both live and studio work.

SPD-SX PRO Version 2.0 Key Features

Support for SPD-SX Backup Files—This long-requested feature allows users of the standard SPD-SX model to load backup files into the SPD-SX PRO, simplifying the upgrade process by making it easy to load existing performance setups.

Time-Stretching—Expanded time-stretching capabilities allow users to tempo-match sounds just like a DAW. A real-time option provides great sound instantly, while offline processing offers even higher-quality results.

Assign Master Effects for Each Kit—Users now have the option to assign master effects within each kit instead of globally. This allows them to create overall sound changes with kit selections and control the master effects with panel knobs while performing.

DJ-Style Muting—A new mute function lets performers play continuous backing tracks on pads and dynamically mute their audio, emulating a common DJ technique for improvising during sets.

Trigger Muting—It’s now possible to mute connected acoustic drum triggers and other external trigger devices by assigning their mute on/off status to individual pads. This makes it easy to reconfigure a large setup with a single pad strike and trigger external sounds with acoustic drums only during specific song sections.

Panel Brightness—The brightness of all panel lights can now be controlled globally, allowing users to quickly adjust the brightness for different playing situations.

More Workflow Enhancements—Version 2.0 also provides many additional features for ease of use, including a kit list display, MIDI monitoring on the main screen, enhanced copy functions, the ability to set parameters for all pads at once, and support for customizing the main kit display with user-imported images.

To learn more about the SPD-SX PRO and the Version 2.0 update, visit Roland.com.

About Roland Corporation

For more than 50 years, Roland’s innovative electronic musical instruments and multimedia products have fueled inspiration in artists and creators around the world. Embraced by hobbyists and professionals alike, the company’s trendsetting gear spans multiple categories, from pianos, synthesizers, guitar products, drum and percussion products, DJ controllers, audio/video solutions, gaming mixers, livestreaming products, and more. As technology evolves, Roland and its expanding family of brands, including BOSS, V-MODA, Drum Workshop (DW), PDP, Latin Percussion (LP), and Slingerland, continue to lead the way for music makers and creators, providing modern solutions and seamless creative workflows between hardware products, computers, and mobile devices. For more information, visit Roland.com or see your local Roland dealer. Follow Roland on Facebook, X (@RolandGlobal), and Instagram (@RolandGlobal).

Why Groove Matters More Than Chops | Rick Latham

Drummer's Review

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31 March, 2026

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Why Groove Matters More Than Chops | Rick Latham

Few drummers carry the weight of experience and musicality quite like Rick Latham. Ahead of his appearance at The Europe Drum Show, Rick opened up about his philosophy: it’s never been about showing off, it’s about serving the music.

“I hope it’s going to be a more musical experience,” he said, ahead of his masterclass. “My thing is all about the groove.” In a landscape dominated by flashy solos and viral clips, Rick’s approach feels refreshingly grounded. While he appreciates technical brilliance, he emphasises feel, time and musicality above all.

Rick’s workshop won’t focus on chops or pyrotechnics, instead, he’s bringing bassist Tommy Muller from Munich to guide drummers through essential grooves and practical techniques. “All the drummers will get a lot of stuff they can take with them and practice,” he explains, with handouts and music notes ready for attendees.

His perspective has been shaped by decades of experience, from studio sessions to film soundtracks. Drawing on advice from the late Ed Shaughnessy, Rick recalls, “No bandleader ever hired me to play fast solos. They wanted me to play time. They wanted me to play a groove.” Even with impressive chops and influences like Buddy Rich, Rick prioritises musicality and feel.

He also highlights the power of the drumming community and digital platforms. “I love sharing,” he says. “Recording, teaching, posting online — it’s all about spreading knowledge. You learn every day.” Rick credits the internet for inspiring new generations of drummers, while recognising its challenges for retail and the traditional drum business.

For aspiring drummers, Rick’s advice is simple: “Practice as much as you can. Play along to records. Play with friends. Learn musical form, styles, and how to make music — not just solos. Big drum sets don’t always fit on stage, so sometimes keeping it simple is best.”

At the heart of it, Rick’s message is timeless: enjoy the groove, keep learning, and support each other. It’s a philosophy every drummer — beginner or seasoned — can take to heart.

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Sonique Drums Introduces the Bead King™ Beaded Snare Adapter for Throw-Offs

Drummer's Review

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26 March, 2026

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Sonique Drums Introduces the Bead King™ Beaded Snare Adapter for Throw-Offs

The Bead King™ is the successor to the original BS1 beaded snare adapter and the latest addition to the Sfx family of percussion accessories. The Bead King™ expands compatibility to many other popular throw-offs that can adjust to or statically use a 7/8″ hole spacing. It also features a larger arch cutout to accommodate snare beads of all sizes and longer mounting slots to accommodate unexpected variances in throw-off hole spacing. The Bead King™ adapter is available through soniquedrums.com, Reverb, Amazon, and Authorised Dealers.

This is yet another example of how Sonique listens to drummers who not only expect, but demand better gear.

Key Highlights

Expands compatibility to a wide range of popular throw-offs with 7/8″ hole spacing, both adjustable and static configurations.
Enlarged arch cutout accommodates snare beads of all sizes, eliminating fitment limitations found in previous designs.
Extended mounting slots compensate for real-world variances in throw-off hole spacing, ensuring a secure fit across a wider range of hardware.
A complete hardware kit is included that works in most mounting situations.

Founded in 2020, Sonique Drums is dedicated to crafting thoughtfully designed percussion accessories and steam-bent snare drums; every product is designed and built for drummers who demand quality and reliability. Industry firsts, like the NATO family of continually adjustable throw-offs and the socket drum key set Sonique Drums apart from the rest. You can find Sonique’s snare drums and percussion accessories online at Amazon, Reverb, soniquedrums.com or at select drum shops across the U.S. Learn more at soniquedrums.com

The content of the press release is accurate as of the date of publication, but it may be subject to change following publication without notice. Product names, company names, etc. in this document are trademarks or registered trademarks of this company and other companies.

www.soniquedrums.com

Noonan Poplar Heart 12×7 | This £300 Snare Sounds Great

Drummer's Review

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24 March, 2026

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Noonan Poplar Heart 12×7 | This £300 Snare Sounds Great

It’s always exciting when a drum comes along that promises boutique tone without the eye-watering price tag and the Noonan 12×7 Poplar Heart snare drum is exactly that.

At its core, this snare is built with a hybrid shell: three plies of poplar paired with a purple heart outer. The concept is simple but effective. Noonan combine the warmth and body of poplar with the clarity and attack of purple heart, and honestly, you’ve got a drum that punches well above its weight…

And straight away, that’s what stands out, and it’s fair to say this snare sounds more expensive than it’s price tag.

The tuning range is genuinely impressive. Tuned low, it delivers a fat, warm backbeat with plenty of body. Crank it up, and it becomes tight, articulate, and seriously responsive which is ideal for players who want versatility from a smaller diameter drum. The 12×7 size gives it a unique voice too. It’s punchy and musical, though perhaps not everyone’s cup of tea as a main snare.

Hardware-wise, Noonan haven’t cut corners. You’re getting single-point tube lugs, 2.3mm triple-flanged hoops, PureSound custom wires and a Gibraltar deluxe throw-off. These are all components you’d expect on a more premium instrument. Nothing about this feels budget.

The natural hard wax finish is another highlight. It looks clean and understated, allowing the shell to resonate freely without unnecessary flash. It’s a classy aesthetic that fits the drum perfectly and would look great behind any kit finish.

It’s also worth noting Noonan’s pedigree. Based in Kent, UK, they were responsible for building Ash Soan’s original 12×7 purple heart stave snare, so they clearly know what they’re doing when it comes to tone and feel.

Of course, no drum is perfect. The triple-flanged hoops keep things open and lively, but some players may want a touch of dampening depending on the application. And while the hybrid shell sounds fantastic, it doesn’t quite deliver the sheer density and attack of a full purple heart stave drum.

But then again… it’s around £300.

That’s where this snare really shines. You’re getting boutique-inspired tone, solid hardware and UK craftsmanship at a price that feels refreshingly realistic.

If you’re after a snare with character, versatility and spade-loads of musicality (without having to remortgage your house) this is absolutely worth your attention.

Check out Noonan HERE

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Dirk Verbeuren: From Bedroom Drummer to Megadeth

Drummer's Review

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18 March, 2026

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Dirk Verbeuren: From Bedroom Drummer to Megadeth

I first met Dirk backstage at The Europe Drum Show 2025 while I was hosting the main stage. We got chatting and I said I would love to interview him some day… and a year later, we finally made it happen! Dirk has been holding it down behind the kit for Megadeth since 2016, stepping into one of the most iconic bands in the genre. Naturally, I had to ask about the pressure of joining one of the Big Four (Megadeth, Metallica, Slayer and Anthrax) and he didn’t shy away from it. He admitted it was intense mentally, but what stood out was how grounded he is. Years of hard work, from bands like Soilwork to session work, had already prepared him for that moment. When the opportunity came, it was about trusting himself (and taking it).

We also spoke about what it’s like playing alongside Dave Mustaine. Dirk described it as “surreal,” and went on to sum Dave up perfectly: a “total badass” with that raw, skate-punk energy. You can tell there’s a genuine respect there, and it’s clear how much Dirk enjoys being part of the Megadeth machine.

What really stuck with me, though, was hearing Dirk talk about how it all started. Before the tours and the arenas, it was just a kid in his room playing for hours on end. No pressure, no expectations, just pure enjoyment. That time was almost protective, like a little bubble where it was just him and the drums. He also shared how social media has changed things for young musicians, and why it’s so important to have that space just to enjoy playing. His advice? Be patient. He didn’t join Megadeth until he was 40, which says it all.

Dirk smiles as he gives advice for aspiring drummers

We got into live performance, nerves, and drum clinics, and how his relationship with playing in front of people has evolved. From someone who once found it stressful, he’s now genuinely enjoying it—whether it’s a massive show or a drum clinic with drummers watching every move. And that connection with people is something he really values. As he put it, no amount of technology can replace being in a room, sharing that energy together.

Finally, we touched on life beyond music. In a parallel universe, Dirk might be a scientist or working with animals. He’s passionate about his NGO (non-governmental Organisation) Savage Land, and using his platform for environmental advocacy.

It was a brilliant conversation…honest, insightful and properly inspiring. Dirk’s journey is proof that if you stick at it, trust the process and keep your love for the instrument at the centre of it all, you never know where it might take you.

-Ollie Winiberg

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Drum Channel Releases New Masterclass: “Getting Started with Sampling Pads” by Antoine Fadavi

Drummer's Review

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17 March, 2026

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Drum Channel Releases New Masterclass: “Getting Started with Sampling Pads” by Antoine Fadavi

Drum Channel has released a new masterclass titled Getting Started with Sampling Pads, taught by drummer and music director Antoine Fadavi. The lesson is now available exclusively to members on Drum Channel, offering drummers a concise introduction to one of the most widely used tools in modern performance and production.

Designed to be completed in under 20 minutes, the masterclass provides a practical overview of sampling pads and how drummers can begin incorporating them into their setups. Drawing from his experience as a touring musician and music director, Fadavi explains the history of sampling technology, demonstrates real-world use cases, and walks viewers through essential concepts such as mounting options, connectivity, MIDI integration, running backing tracks, and expanding a hybrid drum setup.

Rather than focusing on the detailed operation of a specific device, the lesson emphasizes the broader creative possibilities of sampling pads—helping drummers understand how these tools can enhance live performance, simplify setups, and expand sonic possibilities across genres ranging from pop and electronic music to rock and hip-hop. Viewers will also learn best practices for organizing samples, optimizing pad velocity settings, and building efficient performance workflows.

Getting Started with Sampling Pads is currently available on Drum Channel’s YouTube page as well as to Drum Channel members on DrumChannel.com. The masterclass is part of Drum Channel’s ongoing catalog of educational content from world-class drummers and industry professionals, aimed at helping musicians develop both their technical skills and real-world performance knowledge.

Latin Percussion® City II Mango Congas & Bongos

Drummer's Review

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17 March, 2026

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Latin Percussion® City II Mango Congas & Bongos

Oxnard, CA (March 16, 2026) – Latin Percussion (LP®) launch the next generation of City II Mango Congas and Bongos. Inspired by heritage and designed for tempo, the new drums’ exciting tones are great for developing percussionists.

Designed for aspiring players, the quality LP City II Mango Conga set is ideal for passionate percussionists to refine their rhythms and start gigging. The stave mango wood 10” and 11” shells are lightweight and durable with a unique wood grain for a warm, resonant, and open tone. The congas are supplied with a height-adjustable double stand. The LP City II Mango Bongos are perfect for improving players to develop their musical style. The 6” and 7” drums have a stave mango wood construction for a warm, resonant tone with great projection. The bongos come with a carry bag.

The City ll Mango Congas and Bongos are all fitted with natural rawhide heads for a classic tone, EZ Curve playing rims for a more ergonomic playing experience, easy-to-tune ⁹/₃₂” diameter tuning lugs, tuning wrench, heart side plates, rubber bottom rings for protection against wear and tear, and black powder-coated hardware for a sophisticated look. Both the congas and bongos are available in Natural, Blue, Black, and Vintage Sunburst finishes.

Built to play night after night, the inspiring world-famous sound of the LP City ll Mango Congas and Bongos will add a rich new tone to any percussion rig, whether practicing, rehearsing or playing live.

To find out more, Click HERE

Premier Elite – Stage Ready Power

Drummer's Review

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11 March, 2026

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The Premier Elite sits right at the top of Premier’s acoustic drum lineup. Designed as the company’s flagship series, it aims to deliver a refined sound and premium feel whether you’re recording in the studio or setting up on stage.

The kit is available in four satin finishes: Baby Blue, White, Copper Sparkle and Rosewood Satin. The example we had in the studio arrived in Baby Blue, and it’s one of those finishes that really stands out once you see it in person. On paper it might sound a little unusual, but in reality it’s classy, distinctive and genuinely eye-catching without feeling over the top

Price-wise, the Elite series typically sits between £1,000 and £1,500, depending on the configuration and finish. That places it in an interesting bracket: firmly premium, but still accessible compared with many flagship drum kits on the market.

The shells use a 4.8mm four-ply blended construction, designed to produce an open, full-bodied tone with plenty of sensitivity. Each drum is also reinforced with one-inch beech support rings, which help add durability while keeping the low end tight and focused.

One standout feature is Premier’s 3mm undersized tom design. In practical terms, this means drumheads seat perfectly every time, making tuning remarkably straightforward. The result is a smooth, predictable tuning experience that feels almost effortless.

The Elite low-mass lugs also play a big role in the kit’s overall response. By minimising shell contact, they allow the drums to resonate freely, giving the kit a lively and expressive feel. Sonically, the Elite strikes a nice balance between warmth, clarity and projection. The shells are lightweight enough to remain sensitive at lower dynamics, but there’s still enough punch on tap for heavier styles when required.

In terms of downsides, there aren’t many. As Premier’s flagship acoustic kit, it does carry a bit of price tag, though the overall build and sound make a strong case for the investment. The only real limitation is the finish range — while the available options look great, a couple more choices wouldn’t go amiss.

Overall, the Premier Elite is a refined, resonant and highly musical drum kit that delivers both visually and sonically. It’s the sort of instrument that would easily turn heads on stage while still offering the performance and versatility drummers need in the studio.

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