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Paiste Flat Ride Selection – Reviewed

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Paiste Flat Ride Selection – Reviewed

Here’s the latest review from the Drummer’s Review Live Room featuring a selection of Paiste Flat Ride Cymbals. 

Featuring…

  • 18″ & 20″ 2002 Flat Rides
  • 20″ & 22″ Signature Traditionals Flat Rides
  • 20″ & 22″ Masters Dark Flat Rides

Filmed July 2024 at Paul Caboche Studios, Cornwall, UK. (scroll down for recording & equipment details)

“In use and we really enjoyed the warmth that this pair produced. They had good stick definition although felt quite soft when playing. “

Paiste Says…“Masters Dark Flat Ride: Dark, smoky, warm, mellow. Fairly narrow range, complex mix. Soft, responsive feel, controllable. Warm, articulate ping with dark, smoky, slightly trashy wash. Well suited for fast, subtle playing in soft to medium loud situations.

Signature Traditionals Light Flat Ride: Dark, warm, smoky. Narrow range, complex mix. Soft, buttery feel. Pretty sizzling ping over smoky quiet undertones. Great for quiet articulated playing.

“In terms of sound the, 2002 models give a fairly bright, clean sound that sings out through the studio nicely. “

2002 Flat Ride: Fairly bright, warm, sweet. Fairly narrow range, clean mix. Soft, responsive feel, very controllable. Silvery pearling ping over warm, controlled wash. A clear, classic flat ride sound with a bit more strength.“

Paiste Flat Rides – UK RRP: 

18″ 2002 Flat Ride: £305.00

20″ 2002 Flat Ride: £354.00

20″ Signature Traditionals Light Flat Ride: £587.00

22″ Signature Traditionals Light Flat Ride: £695.00

20″ Masters Dark Flat Ride: £467.00

22″ Masters Dark Flat Ride: £550.00

“Overall and out of the three we have to say that the Masters were our favourites. The extra depth and darkness they provided when compared to the other models here was noticeable…”

For more details on any of the Paiste Flat Rides covered, head to: www.paiste.com

GRAB YOUR TICKETS TODAY!

Drummer’s Review, based in North Devon, England would like to thank the https://www.bathhotellynmouth.co.uk/ for the use of their hotel for this photo shoot in their stunning bar.  Photography by Guy Harrop on location at Bath Hotel in Lynmouth, Devon.

Recording Details:

Filmed at Paul Caboche Studios (Cornwall UK). 

Microphone List:

Kick Rear: Audix D6
Kick Front: Electrovoice RE27ND
Snare Top: Electrovoice PL80
Snare Bottom: Electrovoice PL80
Hi Hat: Oktava MK-012-01 Cardio
Over Head wide: AKG C414B (pair)
Centre Over Heads: AEA R88 MK2 Stereo Ribbon Mic
Front Centre Room : AEA R88 MK2 Stereo Ribbon Mic
Wide Room Mic’s: sE2200T Tube Mic’s (pair)

Recording Process:

Microphone Pre amps: 16x Rupert Neve Designs 5052

Pre amp outs to Avid HD analog to digital converters connected to Avid HDX card

Recorded into Pro Tools Ultimate latest version running HDX cards mounted in an Apple Mac Pro 2019 16core.

Audio Template Details: 

Basic EQ:

Basic EQ setting using the EQ section of the Neve 5052 mic Pre-Amps. No post recoded EQ or processing applied.

A Note From Paul…

“The microphones were set up with the overheads and room mic’s measured to the centre of the snare drum to keep the phase of any stereo pair in phase. The AEA R88 MK2 mic’s being stereo mic’s had no issue with phase but the front centre room mic and centre overhead where aligned with each other to keep the same stereo image. The phase reverse switch on the front kick mic was used to correct the phase between the two bass drum mic’s. The phase reverse switch was engaged on the bottom snare mic to correct the phase between the two snare mic’s. Hi pass filters only used on the hi hat mic, Ride mic and overheads. The live room of the studio has been treated to provide a neutral sound close to the drums & cymbals with the room mic’s then giving a true representation of what the instruments sound like in the room. Using 16 identical Mic Pre amps also helps with electrical phase so there is no difference between tone and phase of the Mic Pre amps. The brief for the recoding was to give as true a representation as possible of what the instruments actually sound like.”

For more completely impartial, HD video reviews, please subscribe to Drummer’s Review on YouTube: www.youtube.com/drummersreview and click on the bell icon to be notified as soon as each new video is released. You can also follow Drummer’s Review on social media:

Facebook: @DrummersReviewUK

Instagram: @drummersreview

Twitter: @drummersreview

All of Drummer’s Review videos are recorded in a top quality studio with the finest equipment. To get the best from our reviews and really hear the instruments perform be sure to listen on good quality speakers or headphones!

Launch of the DrumCraft Bell Brass Snare

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Launch of the DrumCraft Bell Brass Snare

Introducing the DrumCraft 14″x6.5″ Bell Brass Snare Drum, “a powerhouse of tone and precision” state DrumCraft, “crafted with a 3.0mm cast bronze shell, this snare offers an impressive blend of cutting projection and nuanced playability.”

Featuring durable satin chrome hardware and a Nickelworks throw-off, it ensures both reliable performance and sleek aesthetics. With a weight of 12kg, the Bell Brass Snare is designed to make a statement in both sound and presence.

Specifications

  • Cast bronze shell with 3.0 mm wall thickness
  • Satin chrome hardware
  • Nickelworks snare throw-off
  • Remo heads
  • Weight 12 KG

About DrumCraft

The sensation of discovering something new and extraordinary is only ever surpassed by the feeling of owning it. DrumCraft is back! We don’t simply make high-quality drums; we also offer style that’s deeply rooted in German engineering and design.
We have the drive, determination, and passion to give you an instrument that you loveto play. DrumCraft drums have been created to stand out with their unique looks without compromising on functionality. They’re built to inspire you every time you perform with them! Whether you’re having fun in your rehearsal room or playing to 10,000 people with your band. You are the heartbeat of your music; you are the pulse. You deserve an instrument with soul – nothing less.

www.drumcraft.com

DS Drum Venom Series Snare Drum – Reviewed

Drummer's Review
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DS Drum Venom Series Snare Drum – Reviewed

Here’s the latest video from the Drummer’s Review Live Room looking at a DS Drum Venom Series snare drum

The snare features..

  • 14” x 5.5”, 6-ply, 6.42mm American / European Maple Shell
  • 16-strand snare wire
  • 10 x double ended lugs
  • 2.3mm inwards triple flanged hoops
  • Charcoal Stain Matte finish

Filmed at Paul Caboche Studios (Cornwall, UK), July 2024. Scroll down for recording / production details. 

“In a lower tuning it sounds full, fat and incredibly warm. Again it has plenty of attack and volume coupled with depth and body to give a nicely well rounded sound”

DS Drum Says…“Say hello to the new Venom Series drum. Inspired by the DS RCS drum. Manufactured in Italy, the Venom Drum Series  have a fresh new sound that will leave you speechless. Venom Series offers a myriad of today’s most popular configurations. Then, add toms or bass drums to build a custom kit to suit your musical style.”

“In a lower tuning it sounds full, fat and incredibly warm. Again it has plenty of attack and volume coupled with depth and body to give a nicely well rounded sound. “

Pro’s:

  • Excellent, flawless construction,
  • Great sound at any tuning
  • Superb value for money
“First impressions of this drum are really good. The Charcoal Matte finish looks classy, while the chrome hardware really pops against the understated shell finish.”

Cons:

  • None!
“There’s little doubt that this is a seriously nice snare drum, with both the drum’s aesthetics and the sound produced giving a very pleasing playing experience.”

DS Drum Venom Series Snare Drum: RRP: £522.98

For more details, head to: www.dsdrum.com

Drummer’s Review, based in North Devon, England would like to thank the https://www.bathhotellynmouth.co.uk/ for the use of their hotel for this photo shoot in their stunning bar.  

Photography by Guy Harrop on location at Bath Hotel in Lynmouth.

Advertisement – GRAB YOUR TICKETS TODAY!

For more completely impartial kit reviews, click HERE

Recording Details:

Filmed at Paul Caboche Studios (Cornwall UK). 

Microphone List:

Kick Rear: Audix D6
Kick Front: Electrovoice RE27ND
Snare Top: Electrovoice PL80
Snare Bottom: Electrovoice PL80
Hi Hat: Oktava MK-012-01 Cardio
Over Head wide: AKG C414B (pair)
Centre Over Heads: AEA R88 MK2 Stereo Ribbon Mic
Front Centre Room : AEA R88 MK2 Stereo Ribbon Mic
Wide Room Mic’s: sE2200T Tube Mic’s (pair)

Recording Process:

Microphone Pre amps: 16x Rupert Neve Designs 5052

Pre amp outs to Avid HD analog to digital converters connected to Avid HDX card

Recorded into Pro Tools Ultimate latest version running HDX cards mounted in an Apple Mac Pro 2019 16core.

Audio Template Details: 

Basic EQ:

Basic EQ setting using the EQ section of the Neve 5052 mic Pre-Amps. No post recoded EQ or processing applied.

A Note From Paul…

“The microphones were set up with the overheads and room mic’s measured to the centre of the snare drum to keep the phase of any stereo pair in phase. The AEA R88 MK2 mic’s being stereo mic’s had no issue with phase but the front centre room mic and centre overhead where aligned with each other to keep the same stereo image. The phase reverse switch on the front kick mic was used to correct the phase between the two bass drum mic’s. The phase reverse switch was engaged on the bottom snare mic to correct the phase between the two snare mic’s. Hi pass filters only used on the hi hat mic, Ride mic and overheads. The live room of the studio has been treated to provide a neutral sound close to the drums & cymbals with the room mic’s then giving a true representation of what the instruments sound like in the room. Using 16 identical Mic Pre amps also helps with electrical phase so there is no difference between tone and phase of the Mic Pre amps. The brief for the recoding was to give as true a representation as possible of what the instruments actually sound like.”

For more completely impartial, HD video reviews, please subscribe to the Drummer’s Review YouTube Channel: www.youtube.com/drummersreview and click on the bell icon to be notified as soon as each new video is released.

You can also follow Drummer’s Review on social media:

Facebook: @DrummersReviewUK

Instagram: @drummersreview

Twitter: @drummersreview

All of Drummer’s Review videos are recorded in a top quality studio with the finest equipment. To get the best from our reviews and really hear the instruments perform be sure to listen on good quality speakers or headphones!

EFNOTE 3B – A New Level of Versatility and Quality

Drummer's Review
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EFNOTE 3B – A New Level of Versatility and Quality

The new EFNOTE 3B is an exciting evolution of the well-regarded EFNOTE 3, offering even more flexibility while retaining the superior performance that EFNOTE is known for. With an expanded 12″ kick pad and 12″ hi-hat, the EFNOTE 3B provides an incredibly realistic drumming experience suitable for players of all levels. Whether for home practice, studio rehearsals, or small gigs, this kit is versatile enough to meet all demands.

The powerful EFNOTE 3 sound module includes a responsive touchscreen LC display, 16 preset drum sets, 34 user drum sets, and 111 multilayer stereo samples, along with a user instrument library with 50 memory slots. Additional features include a metronome, onboard recording, rhythm box, an integrated USB audio interface (8 Out/2 In), and MIDI In/Out via USB, Bluetooth, and 5-pin DIN. A stereo headphone output and built-in Bluetooth™ receiver round out the feature set, making the EFNOTE 3B both flexible and user-friendly.

What’s Included:

  • EFNOTE 3 Sound Module
  • 1x 12″ Mesh Head Kick Pad
  • 1x 12″ Triple Zone Mesh Head Snare Pad
  • 2x 10″ Dual Zone Mesh Head Tom Pads
  • 1x 12″ Dual Zone Mesh Head Tom Pad
  • 1x 12″ Dual Zone Hi-Hat Pad
  • 2x 14″ Triple Zone Crash Pads
  • 1x 16″ Triple Zone Ride Pad
  • 1x Snare Stand
  • 3x Lambda Stands incl. all Holders

The EFNOTE 3B will be showcased at the upcoming UK Drum Show, giving attendees the opportunity to experience its premium build and exceptional sound firsthand. With its robust feature set and realistic playability, the EFNOTE 3B is set to become a go-to choice for drummers seeking professional quality in a compact, all-in-one kit.

More information about the new EFNOTE 3B:

https://ef-note.com/products/drums/EFNOTE3A/efnote3.html

Advertisement – GRAB YOUR TICKETS TODAY!

Mr Muff Dampening Products – Drummer’s Review

Drummer's Review
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Mr Muff Dampening Products – Drummer’s Review

Here’s the latest video from the Drummer’s Review Live Room looking at a selection of dampening products from Mr Muff

Featuring…

  • Mini Muffs (for snare & toms)
  • Bass Muff (for bass drum)
  • Muffins (for snare & toms)
“The Mini Muffs feature a synthetic fur muffler with a removable weight and magnet inside which clips onto the rim of the drum via a strong, spring loaded bulldog-style clip.”

Filmed at Paul Caboche Studios (Cornwall, UK), July 2024. Scroll down for recording / production details. 

“The Muffin gives a pretty much muted sound which when used in the right musical setting gives a truly authentic retro sound reminiscent of so many classic recordings from the 50’s, 60’s and 70’s.”

Mr Muff Says…“Since 2022, the products of Mr. Muff are manufactured in the Rohema factory. The muffling devices work with an on/off concept. Drummers can use them to create a quick sound change without first having to make complex modifications to the drum set.”

“…the bass muff which gives a lovely, full tone when applied, with the reduction in volume replaced by depth and warmth. “

Pro’s:

  • Easy to fit in a matter of seconds
  • Great value for money
  • Mini Muffs & Bass Muff useful in a variety of situations

Cons:

  • Muffins may be slightly too much for most situations
“All of the products we’ve looked at here do a great job with the least amount of effort and time to get them in place. We’d have no hesitation using them in either a live or studio session…”

Mr Muff Dampening Product RRP’s:

Mini Muffs: €69.90 (set of four), €21.90 (individual price)

Bass Muff: €32.90

Muffins: €72.00 (set of four – 10″, 12″, 14″, 16″)

For more details, head to: https://www.rohema.de/en/accessories/mr-muff/

Advertisement – GRAB YOUR TICKETS TODAY!

For more completely impartial kit reviews, click HERE

Recording Details:

Filmed at Paul Caboche Studios (Cornwall UK). 

Microphone List:

Kick Rear: Audix D6
Kick Front: Electrovoice RE27ND
Snare Top: Electrovoice PL80
Snare Bottom: Electrovoice PL80
Hi Hat: Oktava MK-012-01 Cardio
Ride: Oktava MK-012-01 Cardio
Toms: AKG C414B
Over Head wide: AKG C414B (pair)
Centre Over Heads: AEA R88 MK2 Stereo Ribbon Mic
Front Centre Room : AEA R88 MK2 Stereo Ribbon Mic
Wide Room Mic’s: sE2200T Tube Mic’s (pair)

Recording Process:

Microphone Pre amps: 16x Rupert Neve Designs 5052

Pre amp outs to Avid HD analog to digital converters connected to Avid HDX card

Recorded into Pro Tools Ultimate latest version running HDX cards mounted in an Apple Mac Pro 2019 16core.

Audio Template Details: 

No EQ:

Direct microphone sound – no EQ either pre or post recording applied from the Neve 5052 Pre-Amps EQ section.

Basic EQ:

Basic EQ setting using the EQ section of the Neve 5052 mic Pre-Amps. No post recoded EQ or processing applied.

Full Studio Mix:

Post EQ section of the Neve 5052 mic Pre-Amps plus post production EQ, gating, parallel compression and some reverb added to the snare and toms. There was also some room mic processing along with parallel drum bus adding compression and reverb to the overall sound.

A Note From Paul…

“The microphones were set up with the overheads and room mic’s measured to the centre of the snare drum to keep the phase of any stereo pair in phase. The AEA R88 MK2 mic’s being stereo mic’s had no issue with phase but the front centre room mic and centre overhead where aligned with each other to keep the same stereo image. The phase reverse switch on the front kick mic was used to correct the phase between the two bass drum mic’s. The phase reverse switch was engaged on the bottom snare mic to correct the phase between the two snare mic’s. Hi pass filters only used on the hi hat mic, Ride mic and overheads. The AKG C414B mic’s on the toms have very little proximity bass boost so can be considered a pretty flat representation of the toms. The same can be said for the Electrovoice PL80 mic’s on the snare drum. Every effort was made so that the NO EQ sound example audio on the video was as true a representation of what the drums sounded like in the live room. The live room of the studio has been treated to also provide a neutral sound close to the drums with the room mic’s then giving a true representation of what the drums sound like in the room. Using 16 identical Mic Pre amps also helps with electrical phase so there is no difference between tone and phase of the Mic Pre amps. The brief for recoding the drums was to give as true a representation as possible of what the drums actually sound like and to then give examples of what can be done to the sound of the drums.”

For more completely impartial, HD video reviews, please subscribe to the Drummer’s Review YouTube Channel: www.youtube.com/drummersreview and click on the bell icon to be notified as soon as each new video is released.

You can also follow Drummer’s Review on social media:

Facebook: @DrummersReviewUK

Instagram: @drummersreview

Twitter: @drummersreview

All of Drummer’s Review videos are recorded in a top quality studio with the finest equipment. To get the best from our reviews and really hear the instruments perform be sure to listen on good quality speakers or headphones!

Zildjian and Young Drummer of The Year Announce Strategic Partnership

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Zildjian and Young Drummer of The Year Announce Strategic Partnership

Avedis Zildjian Co. (Zildjian) has unveiled plans to expand the U.K. Young Drummer of the Year contest – the U.K.’s original and largest young drummer competition – into the Zildjian Young Drummer of the Year Competition. Partnering with Young Drummer of the Year founder, Mike Dolbear, Zildjian will continue to hold the competition in the U.K. and will expand the competition’s footprint globally.

“Our company is rooted in supporting drummers throughout their musical journey and it is an honour to enter into a long-term partnership with Mike Dolbear to highlight the immensely talented drummers who compete in the U.K., and soon expand Young Drummer of the Year globally,” said Zildjian CEO John Stephans. “Helping drummers find their sound throughout the world is at the heart of what we do, and we can’t wait to meet all the drummers who will be participating in 2025 and beyond.” 

The expanded partnership will focus on support for the upcoming 2025 U.K. Young Drummer of the Year competition, with global expansion details to be shared in late 2024. 

“The Young Drummer of the Year competition has been a huge and important part of my life for 22 years. I’m so proud of what we have achieved and the amazing talent we have seen and nurtured over the years,” said founder Mike Dolbear. “We have had wonderful support from the industry, and I am very excited to announce that I will partner with Zildjian for all the future Young Drummer competitions. Zildjian is one of the biggest musical brands in the world and they understand the importance of looking after the next generations of drummers. Zildjian will be the perfect fit to help take the competition to the next level and together we will be taking the competitions around the world!” 

Entries for the 2025 U.K. Young Drummer of the Year competition open October 15th and close November 15th. For full details visit: http://youngdrummeroftheyear.co.uk/ 

About Avedis Zildjian Co.   

Avedis Zildjian Co. has set the standard for high-performance musical instruments since 1623. As the world’s leading maker of cymbals, drumsticks, and percussion mallets, Zildjian products are sold across the world with the mission to inspire people to express themselves through music. From the beginner to the world’s greatest rock stars, jazz performers and concert percussionists, amateurs and pros alike choose Zildjian, Vic Firth, and Balter Mallets products to share their musical expression, without compromise. For more information, please visit www.zildjian.com    

About Young Drummer of the Year 

Founded in 2002, Young Drummer of the year offers contestants (16 and under) a platform to highlight their drumming talent on a national and international stage. Since the competition’s inception, the event has seen tremendous growth, attracting an ever-increasing number of entries and seeing the very best in terms of drumming talent. The U.K. Young Drummer of the Year competition finals are held in February at a central location, with the winner receiving a trophy, prestigious title, and often, drum and cymbal endorsement deals. 

DW Soundworks™ Gets Heavy With The New Metal Legacy Expansion Pack

Drummer's Review
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DW Soundworks™ Gets Heavy With The New Metal Legacy Expansion Pack

Drum Workshop, Inc. (DW) adds Metal Legacy Expansion Pack to their premium virtual studio instrument and drum sample library, DW Soundworks™. It has been made available as a FREE DOWNLOAD from August 27, 2024, on Roland Cloud, Roland’s evolving cloud-based suite of software synthesizers, drum machines, and sampled instruments for modern creators.

DW Soundworks™ makes finding the right drum sound easy with its simple, intuitive interface, advanced controls and library of authentic hi-fidelity drum sounds. The new Metal Legacy Expansion Pack is a finely curated collection of drum and cymbal samples, specifically chosen for heavier musical styles such as rock, metal and punk. Its high-quality, true digital samples of acoustic drums allow drummers to punch their sound way up for maximum impact.

Captured in the new expansion pack are samples from more than one hundred and thirty instruments including legendary DW shells, dark and vintage Slingerland drums, plus an assortment of aggressive sounds from Japanese, German and American drums. Users can cut through the mix with the twenty-four powerful presets, twelve dry and twelve with EFXs.

Any drummer, producer or songwriter looking to explore new styles, layer their sound with added depth, weight or dynamics or simply seeking a more heavy aggressive tone, should download the Metal Legacy expansion pack now.

To find out more about the Metal Legacy Expansion Pack and DW Soundworks™ please go to www.dwdrums.com/software/

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DS Drum Venom Series Ltd Edition Shell Pack – Drummer’s Review

Drummer's Review
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DS Drum Venom Series Ltd Edition Shell Pack – Drummer’s Review

Here’s the latest video from the Drummer’s Review Live Room looking at a DS Drum Venom Series Ltd Edition Shell Pack

The kit features…

  • 22″ x 14″ Bass Drum
  • 10” x 6.5” Rack Tom
  • 12” x 7” Rack Tom
  • 16” x 14” Floor Tom
  • Silver-Blue-Black Fade Finish
  • 6ply American / European Shells featuring DS proprietary multi-thickness build technology
  • Only 32 models available worldwide
“Overall, and this kit certainly creates a striking first impression. The stunning fade finish catches your eye immediately…”

Filmed at Paul Caboche Studios (Cornwall, UK), July 2024. Scroll down for recording / production details. 

“…each shell is constructed from a blend of European and American Maple, with each drum being 6-ply but with slightly different thicknesses across the kit to enhance the tone of each individual drum”

DS Drum Says…“Venom Limited Edition’s unique combination of modern and traditional drum sizes. It’s designed for today’s rock and gospel drummer who needs a crisp, power focused sound and unparalleled set-up flexibility. Only 32 of these kits will be produced by ds drum Italy  and each includes a certificate of authenticity signed by Luca Deorsola”

“…the 16” x 14” floor tom gives the same clarity and attack as the rack toms with lots of depth and body.”

Pro’s:

  • Full and solid overall sound
  • Eye catching finish applied perfectly
  • Competitive price tag
“The rack toms sport DS’s tom suspension mounts, which do a great job of holding things firmly in place, as do the supplied chunky floor tom legs. “

Cons:

  • Issues with 12″ tom having loose interior screws & bolts
“…credit must go to DS for their finishing process as the kit looks stunning with the finish applied perfectly.”

DS Drum Venom Series Ltd Edition Shell Pack: UK RRP: £2,372.70

For more details, head to: www.dsdrum.com

Advertisement – GRAB YOUR TICKETS TODAY!

For more completely impartial kit reviews, click HERE

Recording Details:

Filmed at Paul Caboche Studios (Cornwall UK). 

Microphone List:

Kick Rear: Audix D6
Kick Front: Electrovoice RE27ND
Snare Top: Electrovoice PL80
Snare Bottom: Electrovoice PL80
Hi Hat: Oktava MK-012-01 Cardio
Ride: Oktava MK-012-01 Cardio
Toms: AKG C414B
Over Head wide: AKG C414B (pair)
Centre Over Heads: AEA R88 MK2 Stereo Ribbon Mic
Front Centre Room : AEA R88 MK2 Stereo Ribbon Mic
Wide Room Mic’s: sE2200T Tube Mic’s (pair)

Recording Process:

Microphone Pre amps: 16x Rupert Neve Designs 5052

Pre amp outs to Avid HD analog to digital converters connected to Avid HDX card

Recorded into Pro Tools Ultimate latest version running HDX cards mounted in an Apple Mac Pro 2019 16core.

Audio Template Details: 

No EQ:

Direct microphone sound – no EQ either pre or post recording applied from the Neve 5052 Pre-Amps EQ section.

Basic EQ:

Basic EQ setting using the EQ section of the Neve 5052 mic Pre-Amps. No post recoded EQ or processing applied.

Full Studio Mix:

Post EQ section of the Neve 5052 mic Pre-Amps plus post production EQ, gating, parallel compression and some reverb added to the snare and toms. There was also some room mic processing along with parallel drum bus adding compression and reverb to the overall sound.

A Note From Paul…

“The microphones were set up with the overheads and room mic’s measured to the centre of the snare drum to keep the phase of any stereo pair in phase. The AEA R88 MK2 mic’s being stereo mic’s had no issue with phase but the front centre room mic and centre overhead where aligned with each other to keep the same stereo image. The phase reverse switch on the front kick mic was used to correct the phase between the two bass drum mic’s. The phase reverse switch was engaged on the bottom snare mic to correct the phase between the two snare mic’s. Hi pass filters only used on the hi hat mic, Ride mic and overheads. The AKG C414B mic’s on the toms have very little proximity bass boost so can be considered a pretty flat representation of the toms. The same can be said for the Electrovoice PL80 mic’s on the snare drum. Every effort was made so that the NO EQ sound example audio on the video was as true a representation of what the drums sounded like in the live room. The live room of the studio has been treated to also provide a neutral sound close to the drums with the room mic’s then giving a true representation of what the drums sound like in the room. Using 16 identical Mic Pre amps also helps with electrical phase so there is no difference between tone and phase of the Mic Pre amps. The brief for recoding the drums was to give as true a representation as possible of what the drums actually sound like and to then give examples of what can be done to the sound of the drums.”

For more completely impartial, HD video reviews, please subscribe to the Drummer’s Review YouTube Channel: www.youtube.com/drummersreview and click on the bell icon to be notified as soon as each new video is released.

You can also follow Drummer’s Review on social media:

Facebook: @DrummersReviewUK

Instagram: @drummersreview

Twitter: @drummersreview

All of Drummer’s Review videos are recorded in a top quality studio with the finest equipment. To get the best from our reviews and really hear the instruments perform be sure to listen on good quality speakers or headphones!

Coldplay, Justin Timberlake & Janet Jackson Musicians Join Porter & Davies Family

Drummer's Review
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Coldplay, Justin Timberlake & Janet Jackson Musicians Join Porter & Davies Family

Musicians across the globe continue to feel a powerful connection to the music they play when using the highly sought after Porter & Davies silent tactile monitors.

Coldplay, who have sold more than 100 million albums worldwide making them one of the best-selling acts of all time, have recently purchased a striking green velvet TT6 Equipped Saddle throne for their drummer Will Champion. He will be using it during their continuing world tour.

The Prince of Pop and Grammy Award winner, Justin Timberlake, is on his Forget Tomorrow world tour span-ning 55 cities and 85 performances. His drummer Mike Reid will be using his new BC2 while other members of the band will be using the two newly acquired TT6 Equipped KT Concert Platforms. ‘Porter & Davies, you are an essential part of making my set up complete. Thank you,” said Reid.

Fellow Grammy Award winner and pop icon, Janet Jackson, celebrates her 50th Anniversary in entertainment this year with her Together Again UK and European tour. Her band members will benefit from the purchase of two TT6 Equipped KT Platforms.

Lina Anderberg

Swedish singer / songwriter and rising global pop phenomenon Zara Larsson, released her latest album, Venus earlier in 2024 . Accompanying her on her USA tour is drummer Lina Anderberg and her new BC2. Anderberg said: ‘An absolute game changer to feel presence on the stage. The BC2 was the missing element in my set-up.’

Shannon Leto, drummer with multi-platinum selling band, Thirty Seconds To Mars has added a second seat to his existing Gigster set up. While Tomas Haake, drummer with masters of groove metal, Meshuggah, and Naomi Forbes drummer for award winning singer and songwriter, Paloma Faith will both be using a BC2 with their rigs on tour this summer.

Debbie Knox-Hewson (Credit David Phillips)

James, one of the most successful alternate rock bands of their era, currently touring USA and Canada with their new album Yummy!, have purchased two BC2s for their duo of drummers David Baynton-Power and Deborah Knox-Hewson.

Other new BC2 users include Simon Finley with legendary post punk rock band Echo & The Bunnymen, nineties rock icons Terrorvision’s drummer Chriss Bussey and Grammy Award winning Arrested Develop-ment’s drummer Will Montgomery.  Eliza Enman-McDaniel, drummer with the pop-infused rock band, The Beaches, will be on the Radio 1 stage of the Leeds / Reading Festival this year with her BC2rm.

Grammy nominated multi-instrumentalist and vocalist, Masego, will be on tour this summer and his bass player Ced Mitchell will be using a KT Platform. Talking about his new acquisition Mitchell said: ‘It’s insane bro!!!! One of my best purchases thus far!!!’.  Four KT Platforms have been pur-chased by the band of Grammy Nominated Trey Anastasio, a former collaborator of Phish.

To find out more about replacing the PA system sitting behind the drum kit please go to porteranddavies.co.uk/.

Kevin Hernandez Brings Passion and Expertise to SONOR Drums Artist Roster

Drummer's Review
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Kevin Hernandez Brings Passion and Expertise to SONOR Drums Artist Roster

Kevin Hernandez, respected educator and drummer based in Boerne, TX, is the newest addition to the SONOR Drums Artist Roster. Over his 25-year professional career, Kevin has shared the stage with big-name artists and toured extensively across Texas and the southwest. His drumming has resonated with audiences of all sizes, from intimate club settings to crowds of 150,000 people.

Born and raised in Southern Louisiana, Kevin drew from the region’s rich musical heritage to craft a distinctive drumming style. Influenced by his father, also a musician, and immersed in a vibrant musical environment from an early age, Kevin has developed a unique approach that seamlessly blends emotion, rhythm, and passion. His craft has been further refined through studies with New Orleans legend Johnny Vidacovich and other esteemed musicians, including Herman Jackson, Todd Sucherman, Dave Elitch, and Daniel Glass. In addition to his performance career, Kevin conducts drum clinics and works within large congregation churches throughout central Texas.

Kevin shares his excitement about joining the SONOR family, stating, “SONOR drums are made with an uncompromising commitment to quality craftsmanship and detail. The rich history of the brand is unmatched in the drum industry. There is an undeniable difference in the sound and feel of a SONOR drum, and they never ever disappoint. Others make drums that make sound, but SONOR drums make music.”

Henry Go, Artist Relations Manager for SONOR USA, remarked, “Kevin is a wonderful musician and a fantastic educator. I’ve had the privilege of collaborating with Kevin over the years in other capacities, and I am delighted to partner with him here at SONOR.”

For more information about SONOR Drums and its artists, please visit https://www.sonor.com/

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