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Pearl Drums Launch Roadshow Jr.

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Following in the footsteps of Pearl Roadshow series for beginning drummers, the all new Roadshow Jr. is a complete drum set package scaled-down to fit the needs of children ten years old and under. The Pearl Roadshow Jr. is an all-in-one 5-piece drum kit featuring special hardware for shorter arms and legs, mini cymbals, and sturdy White Poplar shell construction for an exceptional playing experience. Now available in Europe!

A child’s drumming journey…

Second-rate gear will only make a child’s drumming journey harder. That’s why the Roadshow Jr. is not merely a toy made to look like a drum set. With real wood shells and sturdy adjustable hardware, this kit is made to last.

6-Ply Poplar Shell…

Pearl Roadshow Jr. drum set features 6-ply Poplar drum shells, molded to create a single air resonance chamber for pure note projection. The bearing edge is where the drum head meets the drum shell andwhere much of the drum’s tonal character begins. The hand-cut 45° bearing edges of the Roadshow Jr. ensures exceptional drum head contact.

Sturdy hardware…

Pearl Roadshow Jr. includes a hardware package scaled to the reachable -and portable- needs of the smaller player without sacrificing quality. All stands are height and angle adjustable, and the included bass drum pedal features a smooth chain drive for fast, accurate play.

www.pearldrum.com

UFIP Natural Series Cymbals – Drummer’s Review

Here’s our review of a selection of UFIP Natural Series cymbals, featuring…

  • 22″ light ride,
  • 15″ light hi-hats,
  • 20″ crash,
  • 18″ crash,
  • 10″ FX series splash,
  • Hand-made from B20 bronze alloy,
  • Heavy hand hammering.

UFIP says…“The Natural Series have been sensitively updated and fine tuned with the purpose of getting back to the main features that have defined this range since its conception. The New Natural are darker, richer and warmer, they are faster in response and considerably more versatile. Crashes are lightweight, dark, with fast attack and short decay. The Rides are dry, smooth, easy to control, with frequencies concentrated on the low range of the sound spectrum. The Crash Rides are the perfect compromise between stick definition and light crash qualities. The Hi Hats are full and warm, with a dark chick sound.”

Find out our thoughts in the video above!!

RRP’s: 

22″ light ride: £289.00

20″ crash: £267.00

18″ crash: £236.00

15″ light hats: £342.00

10′ FX splash: £110.00

www.ufip.it

All of Drummer’s Review videos are recorded in a top quality studio with the finest equipment. To get the best from our reviews and really hear the instruments perform be sure to listen on good quality speakers or headphones!

Drummer’s Review Xtra: Interview – Marcus Allen / Teach Me Music Academy

No matter what role you play within the music industry, be it performer, teacher, salesperson, studio engineer etc., one thing we all have in common is that at some point in our lives we all engaged in some form of musical education. Whether it’s GCSE through to degree, instrumental lesson through to doctorate, education has in some way shaped our path into our chosen fields. With so much negative reporting on the state of music education within the school system featuring recently in the media, Drummer’s Review Xtra spoke to Marcus Allen, director of Midlands-based educational facility Teach Me Music Academy to find out what it takes to be an independent educator in the UK currently…

DR: Thanks for taking the time to talk to us Marcus, could you start by giving us a brief history of the company and how you got started?

Marcus Allen: Well, it’s been a bit of a crazy journey really. I followed the same route as most musicians and studied at college and university in London and came back to the West Midlands after that. Throughout my time at University I taught private lessons and when I returned to my home in the Midlands I carried on. I didn’t really know at this point it would turn into a fully-fledged business, but I realised one day that I could use my passion for teaching and learning to do more than I was. There are hundreds of routes you can go down in the music industry, but I chose education as it’s something that I know, and I wanted to pass on the skills I’d learnt to young people: give them the opportunity to have a platform for them to move forward. It became obvious fairly quickly that I wanted to start some kind of academy or school, and there were some things that I wanted to implement that I thought were unique. I realised that I couldn’t do this alone and that I needed a business partner: someone who was as invested into education as myself, so I went through various friends and contacts and met Steven Swift, who has been my business partner since the beginning. We do now have another partner, who I’ll come to in a moment, but Steve has been by my side from the very beginning. We started in a little rented studio in Stourbridge in the West Midlands, we got a website up and running and it was just this little business in the middle of nowhere that was doing a few music lessons per week. It then started to really grow, and after about 6 – 7 months we realised that demand was there for what we we’re doing. We then moved into Kidderminster into a little facility with a few separate rooms and we started to really get the business off the ground in the local area. From there it was really just a case of expanding the business: looking at different areas we could grow, and after about two years we were fully stacked out – we had tutors working for us teaching a variety of instruments, and we decided to push things further. We moved into a new, bigger complex, and started to really focus on what we could do to make our services and facility unique. This is where our modern, contemporary approach came in. 

DR: Could you expand on that approach a little more? What do you feel makes you stand out from other instrumental tuition services?

MA: Well because we have the space we’re able to offer a flexible approach to learning – for instance, students can come for lessons on a subscription basis which fluctuates depending on how often they want to come; included in all of our prices is free rehearsal time so that any students that need to can come and practice in our studios outside their lessons at no extra costs. We view it as more of a community academy where we provide support and guidance for a range of students – for example, we have students studying for GCSE’s or College courses and we have tailored support for them in place. Alongside this, our new first floor facility which we’ve just finished is for our artist development program which is aimed at more avid musicians – people who perhaps don’t study at college for whatever reason but are serious about music. We’ve also got a really good relationship with Trinity College London and we’re one of their main exam centres in the area so we’re able to provide that aspect of vocational training for our students. We’re just really trying to create what could be best described as a hub for music education, and it’s great to see the student numbers increasing, and the passion for music from both our students along with our staff which ultimately creates a great customer experience. We also utilise things like our online booking system which also automatically reminds students of their lesson times via automated emails; we send out monthly newsletters, extra weekly content to all of our drums/guitar/vocal students, we do loads in the local community and have just started our roadshow in our large printed gazebo which takes our academy out on the road and is getting a great response. For us, it’s all about getting young people (or adults) into music for an affordable price in a great facility so that they can just enjoy the subject. 

DR: Do you have any plans to expand into the ever-growing market for online tuition?

MA: Yes – we have realised that there has been a shift in the industry in the last ten years, and it’s dramatically changed. There’s a number of online platforms that have launched – things like Drumeo, Pianote, Jam-Play…it’s really amazing to see these companies flourish online and these guys are so important for the music industry because they’re getting people into music who otherwise might not be able to access it. Relating this back to our business, we’ve noticed that with the shift in technology and the fact that everything is so accessible, young people these days are using technology for almost everything and we’re looking to harness this alongside what we currently offer. I think it’s important to note that one-to-one music lessons are never going to go away – people are always going to want that experience – but we’re in the process of opening a new facility in a new location (I can’t say exactly where as yet as contracts aren’t fully finalised), which we’re planning to duplicate our current business model of our current facility – lessons, group sessions, practice facilities etc. – but we’re also just putting the finishing touches to our new media suite. This will be our Teach Me Music Online development room. We’re planning to launch our academy online – probably in the UK first – and the plan is to film lessons for the most popular instruments. We’re going to start with the basics; drums, guitar, bass, vocals and keyboards, and keep it nice and simple-yet-contemporary. We’re planning on it being a ‘Netflix’-style subscription service, where you pay a monthly subscription fee, for which the student will have access to all of the lessons for two instruments of their choosing. The reason we’re bundling two instruments together is that through our work here at the academy, we’ve noticed that a lot of people play more than one instrument and that students will drift between two instruments; piano and vocals, drums and guitar etc. So, for a flat fee we’ll give them access to two instruments. We’re going to spend the next two years recording entire series of video lessons, which will be available on our new website along with tasters and free content on YouTube. We’re looking to develop that fully over the next three-five years, and we’re also planning to tour the UK with our roadshow to promote what we can offer. We’re also now members of NAMM and we’re excited to be heading out to the Winter show next January to do some more research into this area as we hope to expand worldwide once we’ve road tested the model in the UK.

DR: Alongside your plans for developing the online side of your business, how important are things like social media to you as a company?

MA: Social media has completely changed the way in which we operate our company. When we started six years ago, Facebook and Twitter etc. existed but it’s really moved forward and developed even in that time, and it’s such a staple part of people’s lives now to pick up a mobile phone and scroll through a Facebook or Instagram feed. It’s massively important for us as a business to make sure that people see the content that we’ve got. In our offices we have a social media plan, and Jarod, our manager, develops all of our content. We try to keep the content fresh, relevant and engaging, and when it comes to our social channels, it’s all about engagement; the more engagement you get through your content, the more potential customers will see your business and hopefully will book lessons. It’s really helped our business flourish.

DR: What advice would you give to teachers starting (or looking to develop) their own teaching practice?

MA: One area I feel is lacking in the music industry is education relating to the music business itself; people often don’t understand how to monetise their skills or products within the industry. Our business is flourishing at the moment, but that can all change as you never know what’s around the corner, but that’s where hard work and problem solving comes in to ensure you’re providing a good service that people want to use and continue to use. A key thing here is providing a good service; what can you do to provide a good service – little things like making students and parents tea and coffee; having a solid booking system that people can easily access – there’s lots of things you can do that lots of teachers don’t even think about. 

DR: It sounds like you’re very driven by your passion to help young people gain access to music and musical education…

MA: All of us do this for the love of what we do, and I wouldn’t change it for the world. None of us are millionaires, none of us are driving around in big fancy cars; that isn’t the motivation here. Our motivation comes from making a difference to young people, and if we can do that, then that’s enough for me!

Massive thanks to Marcus Allen and the team at Teach Me Music Academy for sharing their valuable time with us. For more information regarding Teach Me Music Academy, visit: teachmemusicacademy.com 

Noble & Cooley Walnut Classic Series Shell Pack w/Matching Snare Drum – Drummer’s Review

Here’s our review of a Noble & Cooley Walnut Classic Series shell pack with matching snare drum, featuring…

  • 22″ x 14″ bass drum,
  • 10″ x 8″ rack tom,
  • 12″ x 8″ rack tom,
  • 14″ x 14″ floor tom,
  • 16″ x 16″ floor tom,
  • 14″ x 6.5″ matching snare drum,
  • Witt Percussion design horizontal ply construction,
  • CoolMount rack tom mounting system,
  • high-gloss lacquer finish with black chrome hardware.

Noble & Cooley says…“Beefy, fat and surprisingly ambient, these kits sound as beautiful as they look.  Most drummers pair their kits with various snare drums.  This is one kit where a matching snare works perfectly.  For those who own Walnut snares, these kits will round out your sound nicely.  For others who own more common Birch or Maple kits, Walnut provides another option to expand your tonal palette. These drum sets are built with the Witt Percussion all horizontal approach that we use on our snare drums. Though they can be finished however you like, most drummers choose the elegant natural finish dark wood colors with the dramatic and beautiful grains showing through a matte or gloss finish.”

Find out our thoughts in the video above!!

RRP’s: five-piece shell pack: £4495.00, matching snare drum: £695.00

Many thanks to Drumazon for supplying this kit for review!

www.noblecooley.com

All of Drummer’s Review videos are recorded in a top quality studio with the finest equipment. To get the best from our reviews and really hear the instruments perform be sure to listen on good quality speakers or headphones!

Drummer’s Review Xtra: Reviewed – Yamaha Cross Town HW3 Lightweight Hardware Pack

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If you take the time to search through any drum-focussed forum, one topic that keeps cropping up on a regular basis is the aches and pains we drummers face from playing such a physically demanding instrument. Compounding this, lugging around cases full of heavyweight hardware, not to mention cases full of cymbals and drums themselves which can weigh a substantial amount, only adds to our woes, particularly for us of, ahem, ‘experience-laden’ age. This is where Yamaha’s new range of lightweight Cross Town hardware offers something of a relief. Weighing in at just under 8kg for two cymbal stands, a hi-hat stand and a snare drum stand, all of which are housed in their own protective sleeve within a lightweight carry bag, the HW3 Cross Town set gives you a basic hardware set-up minus kick pedal and stool.

Made from aluminium tubing with a brushed matte finish, the stands have a distinctive look and with a host of features taken from Yamaha’s more traditional hardware (large rubber feet, off-set cymbal tilters, pro-quality hi-hat clutch etc.), this series certainly appears to continue Yamaha’s tradition of highly-regarded, well-made hardware.

Setting the stands up, and the most obvious thing you notice is just how light each individual stand is: the cymbal stands can be picked up comfortably with just a single finger, while the hi-hat and snare stands are not much heavier. This does give you a slight worrying feeling as to how stable the various components might actually be, and while the hi-hat and snare stands are pretty much of traditional design, the two cymbal stands seem quite a lot shorter height-wise (133cm when fully extended) than most stands which means you have to almost fully extend them to place your cymbals at regular height (especially if you’re quite tall and like to sit fairly high on the kit). Once set-up and with your cymbals in place, all such feelings quickly dissipate. Sure, there is slight movement, especially under heavy onslaughts of crash-driven playing, but nothing so bad that the stands give anything but a sense of security. That said, the cymbal stands in particular might not be suitable for those who use the heaviest of cymbals and play at full tilt constantly, but for most ‘every-day’ gigging situations they should be more than capable of providing solidity for years to come. The snare stand certainly holds its own: we tested it with both a standard 14” x 5.5” maple snare, during which it never moved an inch, along with a 14” x 6.5” brass shelled behemoth weighing in at a hefty 9kg (heavier than the full hardware set combined), during which there was a hint of sway but nothing so bad it was off-putting or worrisome as to the stands strength. Finally, the hi-hat stand feels and operates in such a way as to make you completely forget how lightweight it actually is; smooth, fast and completely solid feeling, it feels as good – if not better – than many traditionally-constructed hi-hat stands we’ve tried. 

Overall, the HW3 hardware set does exactly what it promises; offers lightweight-yet-solid stands which deliver sturdiness for most situations while saving you from backaches and the often-difficult task of dragging large hardware cases upstairs or down narrow corridors/through crowds of excited gig-goers. With a suggested retail price of £363.00 (although we’ve seen it advertised online for just under £300.00), it’s quite an investment for just four pieces, but if you factor in the money you could potentially save on chiropractor or osteopath bills, as well as the inclusion of the carry case, it could make sense for a great many players. 

www.uk.yamaha.com

British Drum Co. Launch Pipe Drums For The Future

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Three and half years after forming the British Drum Co., their Marching Division has launched its Axial range of pipe band drums. The drums will make their public debut at the World Pipe Band Championships 2019 in Glasgow.

The team at British Drum Co. has, in the Axial snare drum, developed what they consider to be their most advanced pipe band snare drum, with innovative design and engineering taking a leading role.

The Axial snare is a 14″ x 12″ high-tension, free-floating pipe band drum developed around a handbuilt 8ply Scandinavian Birch shell. The high tension required by pipe band drumming is achieved by use of the X-Frame™ cage-style tension system. The latest technology is also used on the Direct Drive (patent pending) top and bottom snare mechanisms which have been designed to deliver exceptional snare response with precise control over height and tension.

The innovation does not stop there. N-Circle™ is a revolution in snare drum bearing-edge technology. Designed to equalise the distribution of tension across the bottom head, N-Circle™ is a finely tuned piece of engineering which acts as a vital component in the Axial snare drum.  Precision crafted from high-density composite materials, N-Circle™ utilises a 45º bearing-edge providing the optimum balance between head contact and tension for controlled tuning and excellent playability. The resulting increase in structural strength creates a more resilient shell and allows for higher tension throughout the drum.

The Axial snare drum is a stunning piece of technology. Its aesthetic appearance is unlike any other pipe band drum. Stylishly futuristic, it features anodised hardware as standard and is available in eight, out of this world standard sparkle finishes.

To complement the Axial snare, a range of tenor drums and bass drums has also been developed, incorporating a range of technological features, such as the FlipBack™ quick release system on the tenor for fast, easy head changes.

Commenting on the launch, Marching Division Manager, Stu Warmington said, “Here at British Drum Co., we are extremely proud of our Axial Series pipe band drums. At the outset of this project our goal was to develop the next generation technology for pipe band drums. We wanted to create a product range that would change perceptions of pipe band drums, using a combination of cutting edge design and engineering whilst maintaining the handcrafted traditions of the drum-making craft.”.

Alan Kitching, Design Engineering Manager for the British Drum Co. said, “We felt it was time for the next stage in the evolution of the high-tension pipe band snare drum. Working closely with our International Marching Specialist, Jim Kilpatrick MBE – 16 times World Solo Drumming Champion – we started to develop the Axial from the ground up. The demands of our self-imposed brief were such that we had to develop new technologies in order to deliver the optimum solution. Our non-compromise approach made this project one of the most challenging we have encountered but the tenacity and “can-do” attitude of the development team generated outstanding results in the form of these magnificent instruments.

British Drum Co. CEO, Keith Keough added, “As the CEO of the British Drum Co. – a UK manufacturing company that’s only just over three years old – I am immensely proud to be able to launch the Axial Series pipe band drums. The work that has gone into this project has been huge and I am honoured to present these drums to the pipe band world”.

The Axial Series pipe band drums was introduced at Jim Kilpatrick’s “Giving Back” event on Tuesday August 13 at Todd’s Bar, University of Strathclyde, Glasgow prior to the World Pipe Band Championships 2019

For more information please contact marching@britishdrumco.com or

visit www.britishdrumco.com or contact the British Drum Co. on 0161 804 4724

DW Honour Drum Legend

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Drum Workshop Inc. (DW) has announced the release of a Jim Keltner Collector’s Series® ICON snare drum honoring the legendary drummer’s contribution to the music world. Only 250 of the California Custom Shop collectables will ever be produced and each is numbered and signed by DW’s own John Good.

Everyone at Drum Workshop is honored to present this very special ICON snare drum in honor of our good friend and drumming legend, Jim Keltner,” said Good. “His contributions to the drum community and music industry at large are well documented.”

Crafted from 11 plies of hand-selected North American Hard Rock Maple with patented VLT (Vertical Low Timbre) grain orientation technology, it’s a collector’s piece that is also a highly-playable, studio-quality instrument.

 The unique drum is then finished with a veneer  of ,laser-cut, hand-applied exotic and dyed-wood inlays inspired by Jim’s vintage Collector’s Series kit, and his signature aviator sunglasses and custom California license plate. The 6.5″x14″ drum is outfitted with Jim’s favorite “mini turret” lugs in weathered-looking Antique Brass and comes standard with matching True-Hoops™, MAG throw-off system.  True-Pitch Tuning™, True-Tone™ snare wires, and DW Heads by Remo® completed the Limited Edition offering.   A Jim Keltner Fan Club button, set of wrist bands, and certificate of authenticity are also included within the deluxe DW carrying bag.

To find out more about the limited edition Jim Keltner ICON snare drum please go to dwdrums.com/limited/#Jim-Keltner-Icon

Natal Arcadia Acrylic Shell Pack – Drummer’s Review

Here’s our review of a Natal Drums Arcadia Series Acrylic shell pack and matching snare drum, featuring…

  • 22″ x 18″ bass drum,
  • 12″ x 8″ rack tom,
  • 16″ x 14″ floor tom,
  • 13″ x 6.5″ snare drum,
  • extruded acrylic shells,
  • Remo UT series heads fitted throughout.

Natal says…“Play to your own beat with the stunning Arcadia Acrylic. The seamless shells offer plenty of strength and resonance for a loud and punchy sound. Finished in glorious red, transparent and orange, these drums catch the light for a mesmerising visual appearance on stage. ”

Find out our thoughts in the video above!!

RRP’s: three-piece shell pack: £699.00, snare: £149.00

www.marshall.com/natal-drums

All of Drummer’s Review videos are recorded in a top quality studio with the finest equipment. To get the best from our reviews and really hear the instruments perform be sure to listen on good quality speakers or headphones!

 

Gretsch Bell Brass Snare Drum – Drummer’s Review

Here’s a Drummer’s Review special taking a look at one of Nolly’s favourite personal drums: a Gretsch Full Range Bell Brass Snare Drum, featuring…

  • 14″ x 6.5″, 3mm thick Bell Brass shell,
  • 30˚ bearing edges,
  • die cast hoops,
  • PureSound snare wires,
  • Remo Controlled Sound X batter head over Evans snare side 300 resonant,
  • 9kg in weight.

Although this exact snare is a discontinued model, Gretsch do offer a modern version, about which they say…“Bell brass snare drums are sought after for their smooth, pure timbre and controlled overtones, not to mention their powerful cut. The Gretsch 3.0mm cast bell brass shell shares the warm characteristics of wood with the powerful cut of a metal drum.”

Gretsch current Bell Brass snare - model #G4169BBR
Gretsch current Bell Brass snare – model #G4169BBR

Find out our thoughts in the video above!!

RRP: Gretsch (current) Bell Brass snare (as pictured above): £1000.00 (approx.), our review model: between £350.00 – £500.00 on the second hand market.

www.gretschdrums.com 

All of Drummer’s Review videos are recorded in a top quality studio with the finest equipment. To get the best from our reviews and really hear the instruments perform be sure to listen on good quality speakers or headphones!

Yamaha Stage Custom Birch Shell Pack – Drummer’s Review

Here’s our review of a Yamaha Stage Custom Birch shell pack, featuring…

  • 6-ply, 100% birch shells,
  • 22″ x 17″ bass drum,
  • 10″ x 7″ rack tom,
  • 12″ x 8″ rack tom,
  • 16″ x 15″ floor tom,
  • 14″ x 5.5″ matching snare drum,
  • Remo UT series heads fitted throughout,
  • Yamaha YESS rack tom mounting system
  • Cranberry Red finish.

Yamaha says…“As with the introduction of Stage Custom in 1995 YAMAHA once again sets the standards of value and sound. The new Stage Custom inherits 100% birch wood, with upgraded metal parts.”

Find out our thoughts in the video above!!

RRP: £639.00

www.yamaha.com

All of Drummer’s Review videos are recorded in a top quality studio with the finest equipment. To get the best from our reviews and really hear the instruments perform be sure to listen on good quality speakers or headphones!